Popular Culture Association Conference - Vehicle Culture Area

Type: 
Conference
Date: 
April 17, 2019
Location: 
District Of Columbia, United States
Subject Fields: 
Business History / Studies, Cultural History / Studies, Film and Film History, Popular Culture Studies, Art, Art History & Visual Studies

Humanity has always been on the move, and humans have always been attached to their means of transportation.  There is virtually no part of life that has not been shaped by the contemporary vehicles, public or private, by which people have gotten around.  Where we live and work and how and with whom we spend our leisure time would not be the same without our vehicles.  Our landscape has been reshaped and our built environment configured to accommodate them.   Poet

JOSF Special Issue on Disability Studies

Type: 
Call for Papers
Date: 
October 19, 2018
Subject Fields: 
Cultural History / Studies, Literature, Popular Culture Studies, Women's & Gender History / Studies, Film and Film History

The Journal of Science Fiction is accepting submissions for a special issue on disability studies and science fiction to be released on January 31, 2019.

 

Classics Colloquium 'Mutatas dicere formas: Multimedia transformations in and of antiquity'

Type: 
Call for Papers
Date: 
October 26, 2018 to October 28, 2018
Location: 
Germany
Subject Fields: 
Art, Art History & Visual Studies, Classical Studies, Film and Film History, Humanities, Medieval and Byzantine History / Studies

The Europaeum, co-hosted with the Ludwig-Maximilians-Universität München, 26th

NeMLA 2019 - Truth in Documentary and Docufiction: Images of Transnational Realities

Type: 
Call for Papers
Date: 
September 30, 2018
Location: 
District Of Columbia, United States
Subject Fields: 
French History / Studies, Film and Film History

Although the term “documentary” with respect to film was not coined until 1926 by John Grierson, precursors to this genre have existed for ethnographic purposes from the late-nineteenth century. Defined by Merriam-Webster’s online dictionary as “a presentation (such as a film or novel) expressing or dealing with factual events: a documentary presentation,” this cinematographic form, even from its very inception, has been grappling with the hybrid version, docu-fiction.

NECSUS Spring 2019_#Emotions - Call for Papers

Type: 
Call for Papers
Date: 
September 15, 2018
Subject Fields: 
Cultural History / Studies, Film and Film History, Humanities, Journalism and Media Studies, Popular Culture Studies

 

 

NECSUS Spring 2019_#Emotions - Call for Papers

 

NECSUS - European Journal of Media Studies

Guest edited by Jens Eder (Film University Babelsberg Konrad Wolf), Julian Hanich (University of Groningen), and Jane Stadler (Swinburne University)

 

New humanities institute: The Paris Institute for Critical Thinking (PICT)

Type: 
Seminar
Location: 
France
Subject Fields: 
Humanities, Philosophy, Art, Art History & Visual Studies, Film and Film History, Women's & Gender History / Studies

The Paris Institute for Critical Thinking (PICT) is a non-profit educational organization located in Paris, France. Founded in early 2018 by a group of international scholars, artists, and professionals, PICT offers university-quality humanities courses in the English language to audiences beyond the university.

PICT aims to address 3 basic challenges:

2nd Global Conference: The Changing Faces of Evil

Type: 
Conference
Date: 
March 9, 2019 to March 10, 2019
Location: 
Czech Republic
Subject Fields: 
European History / Studies, Film and Film History, Holocaust, Genocide, and Memory Studies, Humanities, Philosophy

2nd Global Conference: 
The Changing Faces of Evil 
An Inclusive Interdisciplinary Conference

Saturday 9th March - Sunday 10th March 2019
Prague, Czech Republic

100 Years Before and After Us: Alternative Memories / Possible Futures of Visual Arts

Type: 
Call for Papers
Date: 
November 1, 2018
Location: 
Romania
Subject Fields: 
Art, Art History & Visual Studies, Cultural History / Studies, Eastern Europe History / Studies, Fine Arts, Film and Film History

Call for Papers

100 Years Before and After Us:

Call for Papers - Art Machines: International Symposium on Computational Media Art (ISCMA 2019)

Type: 
Call for Papers
Date: 
January 4, 2019
Location: 
China
Subject Fields: 
Art, Art History & Visual Studies, Cultural History / Studies, Digital Humanities, Film and Film History, Journalism and Media Studies

We are now calling for papers for Art Machines: International Symposium on Computational Media Art (ISCMA), which will take place between 4th – 7th January 2019 at the School of Creative Media, City University of Hong Kong. “Art Machines” will bring together Academics, Artists and Professionals in the field of Computational Media Art in a four-day symposium whose core theme will be the topic of Machine Learning and Art.

Edited Collection: Cold War II: Hollywood’s Renewed Obsession with Russia

Type: 
Call for Papers
Date: 
October 1, 2018
Subject Fields: 
American History / Studies, Cultural History / Studies, Film and Film History, Political History / Studies, Russian or Soviet History / Studies

The Cold War, with its bald confrontation between the United States and the Soviet Union, has been widely depicted in film. Starting even before the conflict actually began with Ernst Lubitsch’s portrayals of communism in Ninotschka (1939), and ranging from Stanley Kubrick’s openly “Cold War” Dr. Strangelove (1963) to Fred Schepisi’s The Russia House (1990), Hollywood’s obsession with the Cold War, the Soviets/Russians, communism, and the political and ideological differences between the U.S. and Russia were pronounced.

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