Contributions are now being accepted for a new edited book titled ‘Capture Japan: Visual Culture and the Global Imagination from 1952 to the Present’. The book aims to analyse, deconstruct and challenge representations of Japan in a variety of different visual media such as cinema, documentary film, photography, visual art, anime, manga, comics, television or advertising.
Contributions are now being accepted for a new edited book titled ‘Capture Japan: Visual Culture and the Global Imagination from 1952 to the Present’. The book aims to analyse, deconstruct and challenge representations of Japan in a variety of different visual media such as cinema, documentary film, photography, visual art, anime, manga, comics, television or advertising.
The Trans Asia Photography Review seeks articles and projects relating to the theme of Circulation for possible publication in our spring 2019 issue. We are interested in the ways that photographs have circulated to, from and within all regions of Asia. What have been the consequences of this circulation? How have historic platforms for the circulation of photographs (books, periodicals, exhibitions and catalogs, websites, collections, informal networks…) changed over time?
The Trans Asia Photography Review seeks articles and projects relating to the theme of Circulation for possible publication in our spring 2019 issue. We are interested in the ways that photographs have circulated to, from and within all regions of Asia. What have been the consequences of this circulation? How have historic platforms for the circulation of photographs (books, periodicals, exhibitions and catalogs, websites, collections, informal networks…) changed over time?
The Trans Asia Photography Review seeks articles and projects relating to the theme of Circulation for possible publication in our spring 2019 issue. We are interested in the ways that photographs have circulated to, from and within all regions of Asia. What have been the consequences of this circulation? How have historic platforms for the circulation of photographs (books, periodicals, exhibitions and catalogs, websites, collections, informal networks…) changed over time?
The Trans Asia Photography Review seeks articles and projects relating to the theme of Circulation for possible publication in our spring 2019 issue. We are interested in the ways that photographs have circulated to, from and within all regions of Asia. What have been the consequences of this circulation? How have historic platforms for the circulation of photographs (books, periodicals, exhibitions and catalogs, websites, collections, informal networks…) changed over time?
From David Zeitlyn:
A posthumous paper by Graham Clarke on African photography has been published in the open access journal, Vestiges: Traces of Record
CfP: Philosophy of Photography (POP)
Issue 9.2: Landmark issue anticipating ten years of the journal’s publication
