CFP Reminder: Capture Japan – Visual Culture and the Global Imagination

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Contributions are now being accepted for a new edited book titled ‘Capture Japan: Visual Culture and the Global Imagination from 1952 to the Present’. The book aims to analyse, deconstruct and challenge representations of Japan in a variety of different visual media such as cinema, documentary film, photography, visual art, anime, manga, comics, television or advertising.

CFP: Transnationalism and Subjectivity: Across Media and Beyond Area (Seminar at ACLA 2019)

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It would be difficult to overestimate the intimate links between the formations of the modern nation-state, the transformations of modern media (film, photography, literature, audio recordings, fiber optics), and the notion of “the subject” (however one might interpret the terms “subject” or “subjectivity”).

Popular Culture and the Deep Past 2019: Fairies and the Fantastic

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The Center for Medieval and Renaissance Studies at the Ohio State University invites abstracts and panel proposals on the topic of Fairies and the Fantastic.  The submission deadline is October 31, 2018.  In the Prologue to Chaucer’s Wife of Bath’s Tale, the narrator reminisces about a time when the land was full of fairies and the Elf Queen danced merrily on the green.  In the centuries since Chaucer,

Animation

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Subject Area: Animation at the Southwest Popular/American Culture Association  (SWPACA) Conference 

February 20-23, 2019 Hyatt Regency Hotel, Albuquerque, New Mexico, USA 

Deadline for Submissions Nov. 1st, 2018 

Spaces and Places: An Inclusive Interdisciplinary Conference

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Spaces and Places
An Inclusive Interdisciplinary Conference

Saturday 13th April - Sunday 14th April 2019
Bruges, Belgium

Every day we live and we move through spaces that have been created to be significant. We recognize, resonate and—consciously or unconsciously—react to this significance in a variety of different ways and on a number of differing levels.

CFP Reminder: Capture Japan – Visual Culture and the Global Imagination

Contributions are now being accepted for a new edited book titled ‘Capture Japan: Visual Culture and the Global Imagination from 1952 to the Present’. The book aims to analyse, deconstruct and challenge representations of Japan in a variety of different visual media such as cinema, documentary film, photography, visual art, anime, manga, comics, television or advertising.

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