Poetry & Poetics (Critical) Panels for the Southwest Popular / American Culture Association Conference (SWPACA)

Type: 
Call for Papers
Date: 
February 20, 2019 to February 23, 2019
Location: 
New Mexico, United States
Subject Fields: 
American History / Studies, Literature, Popular Culture Studies, Humanities, Cultural History / Studies

Call for Papers

LGBTQ Comics Reader: Critical Challenges, Future Directions

Type: 
Call for Papers
Date: 
November 1, 2018
Subject Fields: 
Art, Art History & Visual Studies, Cultural History / Studies, Literature, Popular Culture Studies, Sexuality Studies

LGBTQ Comics Reader: Critical Challenges, Future Directions

 

CFP: LGBTQ Comics Studies Reader (University of Mississippi Press)

 

[Temple ICAS Lecture] No Nukes for Dinner:Katsumata Susumu's Anti-Nuclear Manga

Type: 
Lecture
Date: 
October 18, 2018
Location: 
Japan
Subject Fields: 
Art, Art History & Visual Studies, Cultural History / Studies, Japanese History / Studies, Journalism and Media Studies, Popular Culture Studies

Date:Thursday, October 18, 2018
Time: 7:30 - 9:00 p.m. (doors open at 7:00 p.m.)   
Venue:Temple University, Japan Campus, Azabu Hall, 1F Parliament
(access: http://www.tuj.ac.jp/maps/tokyo.html)
Speaker:Ryan Holmberg, Visiting Associate Professor at University of Tokyo, freelance art historian/critic and editor/translator of manga
Moderator:Kyle Cleveland, Associate Director of ICAS

CFP for Fat Studies Research, Artistry, and Activism

Type: 
Call for Papers
Date: 
September 18, 2018 to October 1, 2018
Location: 
United States
Subject Fields: 
Cultural History / Studies, Human Rights, Humanities, Popular Culture Studies, Social Sciences

Please join other Fat Studies scholars at the Washington Marriott Wardman Park in Washngton, DC from April 17-20, 2019 for the Popular Culture Association National Conference. Presenters must become members of the Popular Culture Association.

Comics Arts Conference WonderCon

Type: 
Call for Papers
Date: 
December 1, 2018
Location: 
United States
Subject Fields: 
Art, Art History & Visual Studies, Childhood and Education, Cultural History / Studies, Humanities, Popular Culture Studies

The Comics Arts Conference is now accepting 100 to 200 word abstracts for papers, presentations, and panels taking a critical or historical perspective on comics (juxtaposed images in sequence) for a meeting of scholars and professionals at WonderCon, March 29-31, 2019, in Anaheim, CA.  We seek proposals from a broad range of disciplinary and theoretical perspectives and welcome the participation of academic and independent scholars.

Dubbing at Translating Bollywood in Europe: A colloquium

Type: 
Call for Papers
Date: 
December 13, 2018 to December 14, 2018
Location: 
United Kingdom
Subject Fields: 
Film and Film History, Languages, Popular Culture Studies, South Asian History / Studies

The ever-growing distribution of Bollywood films worldwide, and in Europe, brings into focus the translational practices of dubbing and subtitling as crucial elements that affect the reception of this cinema abroad, as well as the role they play as cultural filters of one culture to another.

CFP: conference, film festival, and exhibition reports

Type: 
Call for Papers
Date: 
October 30, 2018
Location: 
Ireland {Republic}
Subject Fields: 
Art, Art History & Visual Studies, Film and Film History, Fine Arts, Journalism and Media Studies, Popular Culture Studies

Alphaville: Journal of Film and Screen Media seeks reports for its 2018 Winter issue. Potential contributors are invited to contact the Reports Editor to agree the submission of a conference, film festival or exhibition report.

Occult Performances and Reflections: The Everyday Occult in Visual Culture

Type: 
Call for Papers
Date: 
November 5, 2018
Subject Fields: 
Art, Art History & Visual Studies, Cultural History / Studies, Film and Film History, Popular Culture Studies, Religious Studies and Theology

Session Abstract

The occult – the hidden – has been prevalent in various art forms for centuries. Christopher Partridge coined the term ‘occulture’ in 2004 in an effort to recognise the occult in the everyday, theorising the processes involved when popular culture disseminates occult ideas and beliefs to a wider audience. These occult and esoteric traditions are no longer hidden; instead the culture in which they are embedded has become familiar – they are ordinary and everyday.

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