ACLA Panel "On Breath"

Type: 
Call for Papers
Date: 
July 6, 2017
Location: 
Netherlands
Subject Fields: 
Cultural History / Studies, Film and Film History, Fine Arts, Literature, Theatre & Performance History / Studies

On Breath

“Under these conditions, the individual’s breathing is an observed, an occupied breathing. It is a combat breathing.” (Frantz Fanon)

 “Das Gedicht bleibt [...] pneumatisch berührbar.” (Paul Celan)

“The HEART, by way of the BREATH, to the LINE.” (Charles Olson)

“Pas de parole sans air qui la véhicule.” (Luce Irigaray)

“Je suis un respirateur.” (Marcel Duchamp)

CFP: CAA 2017 Panel "Infiltration Art" (Due August 30, 2016)

Type: 
Call for Papers
Date: 
August 30, 2016
Location: 
New York, United States
Subject Fields: 
Art, Art History & Visual Studies, Cultural History / Studies, Fine Arts, Humanities, Popular Culture Studies
 
We are looking for scholars interested in joining our panel on "Infiltration Art" at the College Art Association conference in New York City from February 15-18, 2017.
 
Deadline for proposals: August 30, 2016
 
 
Infiltration Art
Chair(s): 
Katharine J.

CFP -- Popular Art, Architecture and Design Papers at PCA/ACA

Type: 
Call for Papers
Date: 
October 1, 2016
Subject Fields: 
Architecture and Architectural History, Art, Art History & Visual Studies, American History / Studies, Fine Arts, Popular Culture Studies

POPULAR ART, ARCHITECTURE & DESIGN

Call for Papers
Popular Culture Association/American Culture Association
2017 National Conference
Marriott Marina, San Diego, CA — April 12 to 15

Deadline for Submissions: October 1, 2016

A Transatlantic Courtier and Capricious Patrons

Type: 
Lecture
Date: 
July 18, 2016
Location: 
United Kingdom
Subject Fields: 
Art, Art History & Visual Studies, Cultural History / Studies, Fine Arts, Humanities, Modern European History / Studies

Mort pour la France.

René Gimpel (1881-1945) was a Paris art dealer, collector, connoisseur, author, and political refugee, who kept a journal for twenty-one years. Who is his audience? What is his legacy?

In this lecture, and in the light of Gimpel's life as a transatlantic art dealer, Diana Kostyrko discusses the context of his Journal d'un collectionneur (1963 and 2011) and Diary of an Art Dealer (1966), the subject of her forthcoming book with Brepols Publishing.

Comics of the Margins: Visions from the Periphery in World Graphic Narratives

Type: 
Call for Papers
Date: 
March 23, 2017 to March 26, 2017
Location: 
Maryland, United States
Subject Fields: 
Art, Art History & Visual Studies, Literature, Popular Culture Studies, Colonial and Post-Colonial History / Studies, Fine Arts

NEMLA 2017 Call for Papers

Submissions deadline: 30 September 2016

Comics of the Margins: Visions from the Periphery in World Graphic Narratives

CFP: Creative Fiction Panels at the PCA/ACA National Conference--San Diego

Type: 
Call for Papers
Date: 
April 12, 2017 to April 15, 2017
Subject Fields: 
Communication, Composition & Rhetoric, Literature, Oral History, Fine Arts

Submissions of Creative Fiction in all genres welcome for the 2017 PCA/ACA National Conference.

Marriott Marina, San Diego

Wednesday, April 12, to Saturday, April 15, 2017

For information on the PCA/ACA, please go to http://www.pcaaca.org

For conference information, please go to http://www.pcaaca.org/national-conference

PROPOSAL DEADLINE:  October 1, 2016

Workshop: Puzzling art: Painting and cultural identity in sixteenth century Bruges

Type: 
Conference
Date: 
September 15, 2017
Location: 
Belgium
Subject Fields: 
Art, Art History & Visual Studies, Fine Arts, European History / Studies

Workshop: Puzzling art: Painting and cultural identity in sixteenth-century Bruges - Thursday 15 September 2016

Reintroducing the Modern: The First Twenty Years at MoMA, 1929–49

Type: 
Call for Papers
Date: 
August 30, 2016
Location: 
New York, United States
Subject Fields: 
African American History / Studies, American History / Studies, Art, Art History & Visual Studies, Cultural History / Studies, Fine Arts

CFP College Art Association Conference, Feb 15-18, 2017
Reintroducing the Modern: The First Twenty Years at MoMA, 1929–49
Chairs: Sandra Zalman, University of Houston (szalman@uh.edu) and Austin Porter, Kenyon College (portera@kenyon.edu)

Change is Possible and Necessary: New Perspectives on Wim Wenders as Filmmaker and Visual Critic

Type: 
Conference
Date: 
February 24, 2017 to February 25, 2017
Location: 
Virginia, United States
Subject Fields: 
Film and Film History, Fine Arts, German History / Studies, Art, Art History & Visual Studies, Literature

Last year was both a personal milestone for Wim Wenders—he celebrated his 70th birthday in 2015—and a year filled with new projects, critical acclaim, and renewed interest in his work. A film retrospective of his career at the Museum of Modern Art in New York in March was followed by a nomination at the Oscars for the stunning documentary Salt of the Earth, co-directed with Juliano Salgado. Film restoration work carried out by the Wenders Foundation was showcased in a touring selection of films, “Portraits along the Road,” curated by Janus Films and the IFC Center.

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