CFP - SECAC Annual Conference - Playing Indian: An American Visual Politic
Hello!
Please consider submitting to the session, Playing Indian: An American Visual Politic at SECAC’s 2022 annual conference, October 26-29 in Baltimore.
Hello!
Please consider submitting to the session, Playing Indian: An American Visual Politic at SECAC’s 2022 annual conference, October 26-29 in Baltimore.
Conference: 15-17 November 2022
Place: Virtual
Abstract deadline: 30 June 2022 (Round 1)
https://amps-research.com/teaching-fsu/
CALL:
The Society for American Music invites proposals for (a) individual papers, (b) organized panels of 2–4 papers, (c) lecture-recitals, (d) alternative-format sessions, (e) scholarly posters, and (f) interest groups for its 49th Annual Conference in Minneapolis, Minnesota to be held March 8-12, 2023. All proposals must be submitted via the SAM website by 11:59 pm PDT on 1 June 2022.
Save Venice’s recent conservation campaigns focusing on Carpaccio’s paintings for the Scuola di Sant’Orsola and the Scuola Dalmata, as well as on Veronese’s theatrical paintings in the Church of San Sebastiano and Tintoretto’s dramatic ceiling paintings in the Palazzo Ducale have called attention to Venetian approaches to (and changing tastes in) pictorial narrative.
THE INDEPENDENT LIFE OF IMAGES: collaging image histories
Tutor: AIKATERINI GEGISIAN
JUNE 30 — JULY 28, 2022
Thurs. 5:00pm - 8:00pm WEST
Registration fee: €250
Art + Design: Teaching and Complexity Sheridan College of Applied Arts and Industry
This is a strand call to educators in: Art and design; media studies; film; digital arts; fine arts; art history,
Particular emphasis is placed on applying education in these fields in both individual practice and the workplace.
THEMES:
The themes of this conference strand include but are not limited to:
The term avant-garde usually applies to works of art, literature and music characterized by their radical experimentation and opposition to institutionalized culture. Leading unconventional and non-conformist lives, the avant-gardists antagonized the bourgeoise by attacking their social values, mediocrity and material interests. Instead, these iconoclastic artists engaged in acts of dissidence promoted in soirées, manifestos, journals and exhibits that interfered with public life.
Bobby Wilson HBCU Conference Scholarship
Please join us for a symposium on Arabic-script calligraphy taking place at the Qatar America Institute for Culture (QAIC) in Washington DC on Saturday, May 7 from 10am to 2pm.
(Re)thinking Landscape: Ways of knowing / Ways of being
September 29 - October 1, 2022