How does expertise play a role in collaborations across disciplines and/or with/in communities? Whose expertise matters? What might shared success look like? This panel invites presentations from a variety of perspectives, drawing on recent collaborative experiences between galleries, libraries, archives and museums (GLAMs) and diverse individuals and/or communities. We seek examples that demonstrate the types of issues that arise and different ways in which these may be anticipated and navigated.
Call for Contributions
Poison
Virtual Session at the Universities Art Association of Canada
November 4, 2022
This panel examines the production of visual culture through toxic and potentially fatal
Greetings,
We are thrilled to announce the release of the Spring 2022 issue of Trans Asia Photography. Our first issue with Duke University Press, this issue explores the meanings of the third key word in the journal's title: "Photography."
NOW AVAILABLE: "PHOTOGRAPHY," VOL.12, NO.1 (SPRING 2022)
Introduction
“Photography”: An Introduction
Deepali Dewan
CALL FOR PAPERS Carte Semiotiche
In the context of UAAC's 2022 conference, which will be taking place at the University of Toronto from October 27th to 29th, we invite contributions to the following in-person panel. The deadline for submission is June 30th.
The second annual Jesuit Heritage Summer School, organized by the Ruusbroec Institute (University of Antwerp) and University Centre Saint Ignatius-Antwerp (UCSIA), will focus on the themes of sanctity, hagiography, and iconography, with which the Society of Jesus has a rich and complex relationship. Sessions will not only be devoted to the founder saints of the Society, but also to the ways in which the Jesuits transformed the tradition of Western hagiography through the writings of the Bollandists, and how Baroque art was used in the iconographic campaigns of the Order.
Essere dell’altra sponda (being on the other shore) is an idiomatic Italian expression that can loosely be translated as “playing for the other team”. We take it both literally as being geographically decentered (namely, in Southern Europe and along the Mediterranean shores), and metaphorically as being outside of a sexual norm.
Recentering the Periphery: An Inclusive Future of Art History
