CfP: The Architecture Exhibition Operating as a Cross-Cultural Contact Zone

Type: 
Call for Papers
Date: 
June 20, 2022 to October 1, 2022
Location: 
Switzerland
Subject Fields: 
Architecture and Architectural History, Art, Art History & Visual Studies, Colonial and Post-Colonial History / Studies, Research and Methodology

Special Issue Editors, Architecture and Culture

Dr Cathelijne Nuijsink, Institute for the History and Theory of Architecture (gta), Department of Architecture, ETH Zürich

CFP: Collaboration and Expertise with/in GLAMs (In Person, UAAC-AAUC Toronto, Oct 2022)

Type: 
Call for Papers
Date: 
June 30, 2022
Location: 
Ontario, Canada
Subject Fields: 
Art, Art History & Visual Studies, Fine Arts, Indigenous Studies, Native American History / Studies

How does expertise play a role in collaborations across disciplines and/or with/in communities? Whose expertise matters? What might shared success look like? This panel invites presentations from a variety of perspectives, drawing on recent collaborative experiences between galleries, libraries, archives and museums (GLAMs) and diverse individuals and/or communities. We seek examples that demonstrate the types of issues that arise and different ways in which these may be anticipated and navigated.

Poison

Type: 
Call for Papers
Date: 
November 4, 2022
Location: 
Ontario, Canada
Subject Fields: 
Art, Art History & Visual Studies

Poison

Virtual Session at the Universities Art Association of Canada

November 4, 2022

 

This panel examines the production of visual culture through toxic and potentially fatal

Spring 2022 Issue of Trans Asia Photography - Now Available Online

Type: 
Journal
Location: 
Ontario, Canada
Subject Fields: 
Art, Art History & Visual Studies, Asian History / Studies, Chinese History / Studies, East Asian History / Studies, South Asian History / Studies

Greetings,

We are thrilled to announce the release of the Spring 2022 issue of Trans Asia Photography. Our first issue with Duke University Press, this issue explores the meanings of the third key word in the journal's title: "Photography."


NOW AVAILABLE: "PHOTOGRAPHY," VOL.12, NO.1 (SPRING 2022)

 

Introduction

“Photography”: An Introduction

Deepali Dewan

Scenes of Nostalgia

Type: 
Call for Papers
Date: 
June 17, 2022 to September 10, 2022
Subject Fields: 
Anthropology, Art, Art History & Visual Studies, Film and Film History, Holocaust, Genocide, and Memory Studies, Humanities

CALL FOR PAPERS Carte Semiotiche

CFP: Canons, Counter-narratives, and Encounters

Type: 
Call for Papers
Date: 
July 11, 2022 to August 15, 2022
Location: 
Ontario, Canada
Subject Fields: 
Art, Art History & Visual Studies, Colonial and Post-Colonial History / Studies, Contemporary History, Fine Arts, Teaching and Learning

In the context of UAAC's 2022 conference, which will be taking place at the University of Toronto from October 27th to 29th, we invite contributions to the following in-person panel. The deadline for submission is June 30th.

Jesuit Heritage: Sanctity, Hagiography, Iconography

Type: 
Summer Program
Date: 
September 5, 2022 to September 9, 2022
Location: 
Belgium
Subject Fields: 
Architecture and Architectural History, Art, Art History & Visual Studies, Religious Studies and Theology, Archival Science, Cultural History / Studies

The second annual Jesuit Heritage Summer School, organized by the Ruusbroec Institute (University of Antwerp) and University Centre Saint Ignatius-Antwerp (UCSIA), will focus on the themes of sanctity, hagiography, and iconography, with which the Society of Jesus has a rich and complex relationship. Sessions will not only be devoted to the founder saints of the Society, but also to the ways in which the Jesuits transformed the tradition of Western hagiography through the writings of the Bollandists, and how Baroque art was used in the iconographic campaigns of the Order.

On other shores: queer counter-narratives in Southern Europe and Mediterranean Art History, 1800-2000 circa.

Type: 
Call for Papers
Date: 
December 12, 2022 to December 13, 2022
Location: 
Italy
Subject Fields: 
Art, Art History & Visual Studies, Cultural History / Studies, Film and Film History

Essere dell’altra sponda (being on the other shore) is an idiomatic Italian expression that can loosely be translated as “playing for the other team”. We take it both literally as being geographically decentered (namely, in Southern Europe and along the Mediterranean shores), and metaphorically as being outside of a sexual norm.

Pages

Subscribe to RSS - Art, Art History & Visual Studies