Time’s Attack on the Rest of Life: Laboratory

Jimena Canales's picture
October 1, 2015
Subject Fields: 
Architecture and Architectural History, Art, Art History & Visual Studies, Contemporary History, Film and Film History, History of Science, Medicine, and Technology
Time’s Attack on the Rest of Life: Laboratory

With Henning Schmidgen, Jimena Canales, and Stephan Geene


Time as a governing system is manifest in all realms of life. Which forces shape the dominant concept of time in accelerated capitalism? How does it affect our perception and interpretation of the world? And how do other notions of time enable alternative courses of action?

How is time created in the laboratory and how does it have an impact on our lives? Our time today, increasingly accelerated, is not a natural given, but is also defined by science. Time-lapse films, ultra-centrifuges, and particle accelerators create a temporal regime to which our everyday lives are increasingly subjected. Communication on the world wide web, for example, is based on a communication system that was first established at CERN, the European Organization for Nuclear Research. Discussing Chris Marker’s short film La Jetée (The Jetty, Chris Marker, F 1962, 28 min.), brief lectures and a conversation will look at ways out of hyper-accelerated capitalism and for an outside of a now seemingly unavoidable temporal regime.


Jimena Canales is the author of The Physicist and the Philosopher: Einstein, Bergson and the Debate That Changed Our Understanding of Time (Princeton University Press) and A Tenth of a Second: A History (University of Chicago Press). She currently holds the Thomas M. Siebel Chair in the History of Science at the University of Illinois-UC and was previously an Assistant and Associate Professor in History of Science at Harvard University and a senior fellow at the IKKM (Internationales Kolleg für Kulturtechnikforschung und Medienphilosophie). She also writes for wider audiences in WIRED magazine, for the BBC, for Aperture and Artforum.

Stephan Geene is a Berlin filmmaker and co-owner of the bookstore and publishing house b_books. His most recent films include Umsonst (2014) and After Effect (2008). Many of his theater plays have been staged in productions around the world, including at Theaterfestival München, Kunstverein München, Dramatisches Zentrum Wien and at Steirischer Herbst. Geene has curated exhibitions, organized film festivals and has written articles for Spex, Jungle World, Springerin, Texte zur Kunst and Tageszeitung. He teaches the theory and history of television at Beuth Hochschule Berlin.

Henning Schmidgen is professor for the theory of media worlds at Bauhaus-Universität Weimar. He studied psychology, philosophy, and linguistics in Berlin and Paris, was a researcher at the Max-Planck-Institut für Wissenschaftsgeschichte, and professor for media aesthetics at Universität Regensburg. He has written numerous publications on the history of experimental life sciences, the philosophy and aesthetics of machines and actor-network theory. Recently publications include: Hirn und Zeit. Die Geschichte eines Experiments, 1800-1950 (Berlin, 2014) and Bruno Latour in Pieces. An Intellectual Biography (New York, 2015).

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