CFP: GSA 2020 panel: Women, Drama, Theatre – from 1900 to the present, Washington (05.02.2020)

Altina Mujkic's picture

In the 20th- and 21st-century women have received attention as playwrights and performers, and, during recent decades, they made their entrance as stage directors. Whereas today all playwrights face particular challenges since more and more adaptations instead of original plays are being staged, for most of the 20th-century women had to stand up against a dominantly male market. The panel investigates how women playwrights seek access to the theatre by way of dramatic forms and topics, build connections to standing theatres and directors, and are directing their own plays. How do they negotiate traditional theatre paradigms (e.g. Greek tragedy; European Classicisms, 17thto 19thcentury; comedy and tragi-comedy), contemporary topics and intersectionality? How is the audience’s response? Papers presenting case studies of women playwrights and their productions, at the same time addressing aesthetic and institutional paradigms, are particularly welcome. This panel is organized in collaboration with “FrideL – Frauen in der Literaturwissenschaft e.V.”

Abstracts of no more than 350 words and a brief bio should be sent to Annette Bühler-Dietrich (Annette.buehler-dietrich@ilw.uni-stuttgart.de) and Gaby Pailer (pailer@mail.ubc.ca) by February 5, 2020.

Call for Papers (GSA 2020 panel): Women, Drama, Theatre – before 1900

“Women don’t write dramas, they are rather inclined to dramatic feelings” – this opening statement of Dagmar von Hoff’s pioneering study on women dramatists, pinpoints the common prejudice that women did not strive to be playwrights before the 1900s. As many more studies have unearthed women’s history of involvement with theatre as of early modern times (e.g. Becker-Cantarinio, Kord, Fleig), women as playwrights, actresses and theatre principals shaped the German-speaking stage to a much larger extent than is commonly known. Still, new archival material keeps surfacing, ever extending the body of research. This panel is interested in papers which research lesser known women theatre artists pre-1900, and discuss the aesthetics and institutional politics of their work from an intersectional perspective. This panel is organized in collaboration with “FrideL – Frauen in der Literaturwissenschaft e.V.”

Abstracts of no more than 350 words and a brief bio should be sent to Annette Bühler-Dietrich (Annette.buehler-dietrich@ilw.uni-stuttgart.de) and Gaby Pailer (pailer@mail.ubc.ca) by February 5, 2020.

The German Studies Association (GSA) will hold its 44th Annual Conference from 1 to 4 October 2020 at the Crystal Gateway Marriott in Arlington, Virginia, across the Potomac River from Washington, DC.

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Redaktion: Constanze Baum – Lukas Büsse – Mark-Georg Dehrmann – Nils Gelker – Markus Malo – Alexander Nebrig – Johannes Schmidt

Diese Ankündigung wurde von H-GERMANISTIK [Constanze Baum] betreut – editorial-germanistik@mail.h-net.msu.edu

Categories: CFP