KONF: 52nd Wisconsin Workshop: Dis/Continuities: German Studies and Beyond, Madison (30.10.22)
“Dis/Continuities: German Studies and Beyond”:
The 52nd Wisconsin Workshop, University of WI–Madison
A Conference in Honor of Marc Silberman
September 30 and October 1, 2022, Pyle Center
Organizers: Sonja E. Klocke and Sabine Gross
Co-hosted by the German Program, Department of German, Nordic, and Slavic plus (GNS+) and the Center for German and European Studies (CGES)
Free and open to the public
Conference languages: English and German
Friday, Sept. 30
8:30 am - Coffee/refreshments
9:15 am Conference Welcome:
Sonja Klocke (Director, Center for German and European Studies; Department of German,
Nordic, and Slavic+) and Sabine Gross, Department of German, Nordic, and Slavic+
Sue Zaeske, Associate Dean for the Arts and Humanities
Jolanda Vanderwal Taylor, Chair, Department of German, Nordic, and Slavic
9:30–11:45 am Roundtable I: Memory
Brigitte Jirku
Universitat de València
Memory and the Literary Re-semantization of Buchenwald
Stephan Pabst
Universität Halle
Goethe nach Buchenwald. Über einen Satz Richard Alewyns
Short coffee break
Short coffee break
Stephan Jaeger
University of Manitoba
From the Holocaust and Second World War to Human Rights: Contemporary Museums between History and Activism in Germany and Beyond
Anke Pinkert
University of Illinois, Urbana-Champaign
Post-1989 Memory, Protest Movements, Alternative Solidarities
Justin Court
University of Wisconsin–Milwaukee
Intersection of Memory Studies and Video Games
Commentator: Brandon Bloch, University of Wisconsin–Madison
Moderator: Stefan Soldovieri, University of Toronto
11:45 am–2 pm Lunch break
2–5 pm Roundtable II: Contemporary Theater and Performance: Brecht and Beyond
Sara Freeman
University of Puget Sound
Galileo in Shanghai
Matt Cornish
Ohio University
The Berliner Ensemble Today
Kristopher Imbrigotta
University of Puget Sound
Brecht and Nature? Finding the Ecological Thread
Short coffee break
Short coffee break
Jack Davis
Truman State U.
Tensions between Brechtian Verfremdung and Psychoanalytic Approaches to Aesthetics
Teresa Kovacs
Indiana University
Entangled Stages: On Passages, Diffraction, and
Pre-mitation in Contemporary Theatre
Pnevmonidou, Elena
University of Victoria
Decolonizing Brecht
Commentator: Katrin Sieg, Georgetown University
Moderator: Martin Kagel, University of Georgia
5-5:15 pm Coffee break
5:15-6:15 pm Keynote Address
Naika Foroutan, Humboldt University, Berlin:
(P)Ost-Migrantische Analogien? A Triple German Entanglement and its
Consequences for Understanding the New Germany (in English)
Followed by Reception
Saturday, Oct 1
8:30 am Coffee/refreshments
9–11:15 am Roundtable III: (Re-)Presenting East Germany
Ofer Ashkenazi
Hebrew University
Anti-Heimat Cinema from Weimar to the GDR
April Eisman
Iowa State University
Angela Hampel and the Alternative Scene in East Germany
Short coffee break
Short coffee break
Tobias Hering
Berlin
Selective affinities: Die USA-Beziehungen des Staatlichen Filmarchivs der DDR
Mariana Ivanova
University of Massachusetts Amherst
Film Stories: From Kuhle Wampe to Mother Courage
Benjamin Robinson
Indiana University
Affective and Intellectual Configurations in GDR Culture
Commentator: Sabine Hake, University of Texas, Austin
Moderator: Hunter Bivens, University of California–Santa Cruz
11:15–11:30 am Coffee break
11:30-12:45 pm Roundtable IV: Performing Migration
Ela Gezen
University of Massachusetts Amherst
Cultures in Migration
Rebekka Grossmann
Hebrew University
German-Jewish Photography and Global Mobility: Lotte Errell’s Humanitarian Camera
Karolina May-Chu
University of Wisconsin–Milwaukee
Performing Border Poetics
Commentator: Pam Potter, University of Wisconsin–Madison
Moderator: Jill Twark, East Carolina University
12:45–2:30 pm Lunch break
2:30–4:30 pm Roundtable V (virtual format): Brechtian Theater and Brecht in Theater:
a Transnational View
2:30 pm zoom greetings to Marc Silberman, followed by:
Tom Kuhn
Oxford University
The Origins of Epic Theatre in the Renaissance?
Janine Ludwig
Bremen University
Brecht, Müller, and the Significance of US German Studies for their Reception
Matthias Rothe
University of Minnesota/Graz
Archeology with Brecht – Thomas Heise's DDR
Markus Wessendorf
University of Hawaii
From Class to Race: Nina Simone's Interpretation of Brecht/Weill's 'Pirate Jenny’
Commentator (non-virtual): Stephen Brockmann, Carnegie Mellon University
Moderator (non-virtual): Florence Vatan, University of Wisconsin–Madison
4:30–5 pm Coffee break
5–6 pm Public Reading by Tanja Dückers, Berlin
Followed by concluding comments (Sonja Klocke, Sabine Gross, Marc Silberman)
Sponsors funding this conference:
German Program, Department of German, Nordic, and Slavic plus (GNS+)
Center for German and European Studies (CGES)
Anonymous Fund
Mosse Program in History
European Studies
Department of History
Center for Visual Cultures
Department of Communication Arts
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