TOC: Contemporary Lusophone African Film, ed., Paulo de Medeiros and Livia Apa

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Contemporary Lusophone African Film: Transnational Communities and Alternative Modernities

Edited by Paulo de Medeiros and Livia Apa

Routledge, 2021

https://www.routledge.com/Contemporary-Lusophone-African-Film-Transnational-Communities-and-Alternative/Medeiros-Apa/p/book/9780367134976

 

Introduction: Situating Lusophone African Cinema

Paulo de Medeiros and Livia Apa

 

1. Lusophone African Cinema as World-Cinema

Paulo de Medeiros

 

2. Lusophone Filmmaking in the realm of transnational African cinemas: from ‘global ethnic’ to ‘global aesthetic’

Ute Fendler

 

3. Sounds of Liberation: Sarah Maldoror’s Sambizanga (1972) and Miguel Gomes’ Tabu (2012)

Marissa J. Moorman

 

4. Resistance and Political Awareness Through the Eye-Camera of Sarah Maldoror

Maria do Carmo Piçarra

 

5. The eleventh island: Cape Verde, the Moving Images and its Diaspora

Livia Apa

 

6. Postcolonial Testimony and the Ruins of Empire

Robert Stock

 

7. In the Name of the Rosa: The Ethnographic Reflex in the Cinema of Licínio Azevedo

Hilary Owen

 

8. From the tabanca to Bissau, from Bissau to the Diaspora: Social Narratives in the Bissau–Guinean Popular Cinema

Paulo Cunha and Catarina Laranjeiro

 

9. The Representation of Ritual and Cinema as a Ritual in Revolutionary Mozambique: Ruy Guerra’s ‘Mueda, Memória e Massacre’

Raquel Schefer

 

10. A melancholic outlook on 40 years of lusophone audio-visual production and Guinea, the two faces of the war as case study

Carolin Overhoff Ferreira

 

11. ‘We need to dress ourselves in the black light’: an authorial analysis of Lusophone African cinema – Flora Gomes’s case

Juscielle Oliveira

 

12. Pedro Pimenta, in Interview with Livia Apa

Livia Apa

 

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