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Deadline for proposals: 15 November 2017
In this conference, we seek to explore the plurality of the printed and written word in various writing systems of the world, and stimulate a deeper engagement with artefacts: whether handwritten, lithographed, typographically printed, or digitally conjured. We invite both scholars and practitioners, broadly in the areas of design, printing, publishing, typography, and book history, to bring critical perspectives and present fresh approaches to the study of the visual and material aspects of print in the diverse linguistic contexts of the world.
The global history of text-based communication constitutes a particularly exciting facet of material culture, given the myriad ways in which its production, transmission, and consumption has been (and continues to be) accomplished across cultural and political boundaries. However, a critical engagement with script and print outside the western world has remained relatively limited despite a burgeoning interest in the interrelated areas of printing, publishing, design, and type history. Studies of the ‘global’ and ‘regional’ cultures of print have tended to accommodate summary accounts and generalisations in relation to the material production of text in different languages and scripts, most commonly grouped under the term ‘non-Latin’. The time is long overdue for these narratives to expand, and address the rich variation and particularity of global practices.
THEMES: Possible themes for the conference include, but are not limited to:
• Print, manuscript, and material culture from around the world;
• Global and transnational histories of printing, publishing, technology, typography and type design;
• Cultural and political dynamics in the visual/material representation of scripts and languages;
• Social, political, and economic aspects shaping printing and publishing practices;
• Networks and exchanges between or within print and manuscript communities: Including but not limited to business, cultural, educational, and literary aspects;
• Connections and interactions between various actors and entities: Including but not limited to, artists, designers, linguists, manufacturers, readers, scholars, technologists, users, assembly/production-line workers;
• Perspectives on technological change in the history of design, printing, technology, and typography: Including but not limited to innovation, adaptation, resistance, and use;
• Forms, formats, and usage of documents and publications composed in global scripts: Including substrates besides paper; letters on stones, wood, fabric, ceramics, or digital media;
Papers of twenty-minutes in duration are invited for this international conference from independent researchers, established scholars and postgraduate students, as well as artists, designers and practitioners working in the fields of history, book history, printing history, type design, typographic history and design, and print, manuscript, and material culture.
TO APPLY: please send a suggested title, synopsis (300-word abstracts) and biographical details (up to 150 words) via a PDF or Word attachment to firstname.lastname@example.org by 12-noon GMT, 15 November, 2017.
VENUE: Faculty of Arts, Design & Media, Birmingham City University, UK.
DATES: Thursday 28 June – Friday 29 June, 2018
PUBLICATION: All papers will be considered for publication in Printing History and Culture a new CPHC* book series published by Peter Lang Ltd.
*The Centre for Printing History and Culture (CPHC) is a joint initiative between Birmingham City University and the University of Birmingham and consists of researchers, heritage professionals and librarians. It seeks to encourage research into all aspects and periods of printing history and culture, as well as education and training into the art and practice of printing. For more information on our members and research, visit www.cphc.org.uk.