We are delighted to announce the inaugural lecture in the Yin-Cheng Distinguished Lecture Series on Buddhism hosted virtually by the University of Cambridge on September 22nd 2021 at 14:00 BTS / 9:00 EST / 6:00 PST / 21:00 Beijing. Please join us in welcoming Professor Eugene Y. Wang (Harvard University), whose talk will explore the future of Buddhist art in the 21st century. Joining us as discussant is Professor Francesca Tarocco (Ca' Foscari University of Venice). This lecture is generously supported by the Tzu Chi Foundation and organised at Cambridge by Dr Noga Ganany.
Please visit the lecture’s webpage to learn more:
The event is free and open to all, but registration is required.
Please register here:
Speaker: Professor Eugene Y. Wang, Harvard University
Title: “Buddhist Art in the 21st Century: What Might it Look Like?”
Discussant: Professor Francesca Tarocco, Ca' Foscari University of Venice
Time: September 22, 14:00 BTS / 9:00 EST / 6:00 PST / 21:00 Beijing
What would Buddhist art for the 21st century look like? There is no easy answer. Both “art” and “Buddhism” are evolving phenomena defying over-generalization. They are also fraught terms soliciting divergent glossings. Acknowledging the slippery ground, the lecture will both get on with the normative notion of “Buddhist art” and push its parameters. It will begin with a quick run-through of the 20th century milestones of Buddhism-tinged art practice. It then looks at more recent artworks that can be understood as instances of contemporary art with Buddhist overtones. This accordingly gives rise to speculation of future horizons. A quick stock-taking of the growing trends signals what is to come. The lecture will thus end on a note of historically informed speculation, heralding the kinds of art that can be pointedly called “Buddhist art for the 21st century.” It is not confined to ethnic enclaves; nor does it necessarily involve Buddha statues. It would mostly likely thrive on ecological medium or natural elements while harnessing multisensorial media technology geared toward a new horizon.
About the speaker:
Eugene Y. Wang is the Abby Aldrich Rockefeller Professor of Asian Art at Harvard University. He is a Guggenheim Fellow and winner of the 2006 Nichijin Sakamoto Academic Achievement Award from Japan for his book Shaping the Lotus Sutra: Buddhist Visual Culture in Medieval China (2005). His numerous publications range from ancient to modern and contemporary Chinese art and cinema. He is the art-history editor of the Encyclopedia of Buddhism (2004). His current research interests focus on the cognitive art history of luminance and topography of vision. He is also producing and directing a feature-length poetic documentary film, To the Moon, which charts the mental journey of Liu Kuo-sung (1932-) whose pictorial vision took off in the 1960s on cue of the Apollo moon landing. He is the founding director of Harvard CAMLab seeking to turn humanistic learning into sensorial experience. Among CAMLab’s projects is Shadow Cave, a research and an immersive-theater exhibition that reconstructs and showcases the early Buddhist imaginary staging of optical experience in encountering Buddhahood and nirvana across Asia, ranging from Afghanistan to Pagan.
About the Yin-Cheng Distinguished Lecture Series:
The Yin-cheng Distinguished Lecture Series 印證高端佛學演講系列 is a collaborative, multi-university partnership between Peking University, Columbia University, Princeton University, Harvard University, University of British Columbia, University of Oxford and University of Cambridge. Launching in September 2021, the Yin-cheng Distinguished Lecture Series is established in honour of Venerable Cheng-yen 證嚴, founder of Tzu Chi, and her mentor Yinshun 印順 (1906–2005), with the goal of promoting topics in Buddhism and Modern Societies including how Buddhism can contribute to society beyond academics.
Please join us on September 22 at 14:00!
With warm wishes,
Faculty of Asian and Middle Eastern Studies
University of Cambridge