This panel invites papers exploring new subjects and approaches in the field of cognitive literary studies and, especially, cognitive poetics. We are interested in investigations of both the formal and the cultural/historical convergence of literary and cognitive research. What poems, novels, stories, etc. could be newly read and understood with the aid of insights and frameworks borrowed from such disciplines as experimental psychology and neuroscience? But also, why is it that literary scholars can turn to cognitive theories as plausible hermeneutical models in the first place? Where does the resonance between the concerns of writers and scientists, which today we seem to take for granted, come from? We welcome contributions that focus on this or any other aspect of the increasingly apparent mutuality between these two fields.
For additional information and to submit an abstract, follow the link listed below.