Deadline extension! Online Conference: At the Dusk of Literature?–21st-century North American writing in extremis.
June 25, 2021 to June 26, 2021
American History / Studies, Art, Art History & Visual Studies, Literature, Philosophy, Canadian History / Studies
Discussing new challenges for the 21st-century literature in the wake of the newly emergent neurobiological scheme of thought in Plasticity at the Dusk of Writing: Dialectic, Destruction, Deconstruction (2003), the French philosopher Catherine Malabou famously argued that writing must now face the dawn of the post-deconstructive era. Venturing beyond deconstruction, Malabou points to a necessary “reorientation of literature” along the lines of neurobiological research, whose aim is to reclaim the body from either philosophical or scientific reductionism. Interrogating the notion of writing construed in the deconstructive thinking of Blanchot and Foucault as thethought from the outside, a neutral space where the subject finds shelter, she speaks of the outside as the unthinkable post-traumatic space that literature must confront in new ways. According to Malabou, the textual domain now finds itself at the twilight point, where the Derridean model no longer holds and where writing finds itself in extremis. At the same time, the dusk of writing signifies a possible horizon of transformation for writing.
One notable example of present-day poetic writing’s renegotiation of extremity has been recently offered by the American conceptual poet, scholar, and editor Divya Victor, curator of the special feature Extreme Texts published in Jacket2. For Victor, writing the call for papers in 2017 only several months into Trump’s presidency meant taking into account the reality in which “a majority of Americans had acquiesced to live, normally, under extreme conditions, with denuded civil rights, attenuated freedoms of press, increasing inequality of wages, and diminishing access to medical care, and under misogynist, transphobic, and supremacist policies”. Extreme Texts offers an impressive range of modes of thinking about the notion of extremity in contemporary experimental poetry and poetics, reclaiming the term’s complexity visible in the ways the contributors investigated the condition of texts in terms of their own limit(s) and excess(es), evident in their material or affective extremity, as well as manifested in their radical philosophical and conceptual stakes, which, as Victor had certainly hoped, successfully accounts for the complexity of the term “extremity,” freeing it from the current association with “extremism.” Similarly, during her keynote lecture at the 2017 Annual American Comparative Literature Association Conference in Utrecht, Mieke Bal insisted on reclaiming the words “radical” and “radicalization” from the discursive grip of mass media and politics in order to make these two terms usable again for art and literature.
We welcome both individual scholarly and creative proposals as well as panels that consider the conference topic alongside Malabou’s new materialist post-deconstructive reflection on writing’s extremity as a space from which to think its present and future; and we equally encourage a variety of other approaches that reflect on the significance and complexity of the notion of extremity as it continues to affect, transform, and manifest itself in North American writing in the 21st century. The possible range of topics include, but are certainly not limited to, the following:
neuro/biological approaches to North American narrative(s);
post-trauma, silencing & reorientation in North American literature;
North American literary responses to biopolitics, technopolitics, psychopolitics, and necropolitics;
poetic (de)formations in extremis;
hermetic and recalcitrant texts, non/narratives;
radical intersections of writing and other disciplines (e.g. philosophy, science, or the arts);
performance and performativity in extremis / extremity in North American theatre;
(dark) ecology in North American narrative(s) in/of the Anthropocene and Neganthropocene;
radical ways of narrating posthumanism;
radical facts & radical fictions;
translating extremes / extreme translations;
extremities, appendages, horizons, margins;
boundaries, borders, and (non)binaries;
radical or extreme textual affect(s)
Confirmed Keynote Speakers:
Dr. Divya Victor
Associate Professor of Poetry and Writing at Michigan State University
Author of CURB (Nightboat Books); KITH, a book of verse, prose memoir, lyric essay and visual objects (Fence Books/ Book*hug); Scheingleichheit: Drei Essays (Merve Verlag); NATURAL SUBJECTS (Trembling Pillow, Winner of the Bob Kaufman Award), UNSUB (Insert Blanc), THINGS TO DO WITH YOUR MOUTH (Les Figues). Her work has been collected in numerous venues, including BOMB, the New Museum’s The Animated Reader, Crux: Journal of Conceptual Writing, The Best American Experimental Writing, POETRY, and boundary2. Editor of the feature Extreme Texts (2019, Jacket2).
Dr. Paulina Ambroży
Professor of American Literature, Adam Mickiewicz University
Twice-awarded Fulbright research grants, and author of (Un)concealing the Hedgehog: Modernist American Poets and Contemporary Critical Theories (Poznań, 2012, winner of the received the 2014 American Studies Network Book Prize for remarkable research in American studies), co-author of Paul Muldoon – Between the Self and the Other (Poznań, 2018)
A 200-word abstract and 5 keywords should be submitted as an email attachment to email@example.com by March 15, 2021. In your email, please include your name, affiliation, email address, title of the proposal, abstract, five keywords and a brief bio.
Notifications of acceptance along with further information regarding access to an online platform, as well as other conference-related details will be sent by April 20, 2020
Dr. Małgorzata Myk
Mark Tardi, MFA
Department of North American Literature & Culture
Institute of English Studies
University of Lodz, Poland
 Catherine Malabou, “What is Neuro-literature?”, SubStance: A Review of Theory and Literary Criticism 45.2 (2016): 81.