CFP: Association of Print Scholars-Sponsored Session "The Graphic Conscience" at the 2021 College Art Association Annual Conference (February 10-13, 2021)

Ksenia Nouril's picture
Type: 
Call for Papers
Date: 
September 16, 2020
Location: 
New York, United States
Subject Fields: 
Art, Art History & Visual Studies
 
While the logistics of the annual College Art Association conference (February 10-13, 2021) are still to be determined, the CFPs is now open! The CFP for the Association of Print Scholars-sponsored CAA panel "The Graphic Conscience" is below. 
 
Please, submit a completed form (downloadable here, inclusive of abstract), a CV (max. 2 pages), and, if applicable, documentation (max. 5 images) to me at ksenia.nouril@gmail.com by September 16, 2020
 
The form, these directives, and additional guidelines are provided by CAA here. Additional FAQs can be found here
 
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The Graphic Conscience
Affiliated Society or Committee Name: Association of Print Scholars 
Ksenia Nouril, The Print Center 
Email Address(s): ksenia.nouril@gmail.com 

 
The Graphic Conscience” calls for papers addressing transhistorical and transnational case studies of print as a tool for raising public consciousness. This session critically considers the ethics of print, inherent in the medium’s daily use-value beyond its function as a rarified fine-art object in a museum. Democratic in nature, print communicates through text and/or image as well as through its multiplicity. In considering the “graphic conscience” – or the social responsibility – of print, this session will celebrate the medium’s impacts on everyday life. The framework for this session responds to the thesis of the 2011 publication Philagrafika: The Graphic Unconscious, which reflected on the formal characteristics of print and argued for its assimilation within art at large. Papers can address a wide range of art historical as well as visual and material culture examples, including but not limited to Martin Luther’s Ninety-Five Theses of 1517; the seventeenth century etchings of Jacques Callot’s Les Grandes Misères de la guerre; the didactic agitprop of Taller de Gráfica Popular in late 1930s Mexico; and the commercially-produced postcards mailed to Americans by the Centers for Disease Control in response to the COVID-19 pandemic in 2020. Prints of all techniques – from Renaissance woodblocks to contemporary risograph zines – are eligible. Papers engaging post-colonial critique and/or topics from outside North America and Europe are strongly encouraged. Practice-based papers by artists, giving us a perspective from inside the studio or printshop, are particularly welcomed.
Contact Info: 
 
Ksenia Nouril, PhD
Jensen Bryan Curator
The Print Center, Philadelphia
@kaysenyah // @theprintcenter
 
 
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