Conference on Activism @ The Margins in Melbourne, Australia with opening keynote Patricia Hill Collins

Olivia Guntarik's picture
Type: 
Call for Papers
Date: 
February 10, 2020 to February 12, 2020
Location: 
Australia
Subject Fields: 
Cultural History / Studies, Digital Humanities, Human Rights, Indigenous Studies, Popular Culture Studies

Call for Papers

Activism @ the Margins Conference

Stories of Resistance, Survival and Social Change

Melbourne VIC, AUSTRALIA, 10-12 February 2020

Event Website: https://www.rmit.edu.au/events/all-events/conferences/2020/february/call-for-papers-conference

To Register: https://www.eventbrite.com.au/e/activism-the-margins-stories-of-resistance-survival-and-social-change-tickets-65286081427

 

Where:

The Capitol Theatre (RMIT University), 113 Swanston St, Melbourne

and Melbourne Town Hall, 90-130 Swanston St, Melbourne, Victoria

 

Confirmed Keynote Speakers:         

PATRICIA HILL COLLINS, Distinguished University Professor Emerita (University of Maryland)

GARY FOLEY, Professor of History (Moondani Balluk, Victoria University)

VICTORIA GRIEVE WILLIAMS, Adjunct Professor (RMIT University)

 

BACKGROUND

The voices and lived experiences of those directly affected by oppression are now front and centre in protest movements. Women of colour, migrants, refugees, Indigenous and LGBTQAx communities as well as climate change activists are powerfully and unapologetically effecting change through a broad range of actions. These protest actions are now occurring at unprecedented scale and speed – from speaking up and out, to educating and organising others in their communities, to urging elected political and community leaders to support efforts to mobilise for and with the most marginalised, disadvantaged and vulnerable in society.

 

Driven by desires to dismantle entrenched power structures, populism and autocracy, and to save the Earth, people from the local grassroots are connecting with activists internationally from #BlackLivesMatter to #ExtinctionRebellion to #IsupportStandingRock to #ReclaimtheNight and other Anti-Rape and Anti-Violence Against Women supporters, from the Arab Spring to #SOSBlakAustralia and other movements around the world.

 

We have married the lessons of women, Indigenous, black and gay liberation movements of the 60s and 70s with organising against racism and discrimination of the 80s and 90s with new models and tools of resistance in the digital age. Protests are now transformed by new technologies and social media, allowing people to assemble, share experiences and give voice to perspectives that would otherwise be excluded.

 

How do we make sense of these protest movements in the digital age and in relation to social change over time? This conference offers a chance for pause, reflection and critical engagement of this complex question. Papers, posters and panel proposals are invited on the following themes:

  • Creative, storytelling and performative approaches to the analysis or presentation of protest cultures or forms of activism, ‘artivism’, ‘craftivism’ and other communities of practice (especially from the perspectives of exiles, minority and marginalised communities)
  • Possible topics may include (but are not limited to): climate change, environmentalism, racism, discrimination, same-sex marriage, sexism, surveillance, exclusion, mental health issues, homelessness, cyber-bullying, violence against women, men, children or families, human rights, Indigenous rights, refugee rights, women’s rights, land rights 
  • How storytelling, song, voice, dance, music, art, festivals and other modes of performance amplify the voices of marginalised people through social movements and protest, and to what effect
  • Non-violent resistance, symbolic protests, political non-cooperation, hunger strikes, civil disobedience or civil resistance (satyagraha)
  • Media (documentary, film, video, audiovisual) and narrative representations of historically, socially, culturally, economically and politically disadvantaged groups and minority voices
  • Innovations in protest practice to advance inclusion, share knowledge, change government policy, and engage wider local and global publics
  • How identity-based activism (Indigenous, LGBTIQAx, elders, ethnicity, disability, migrants, refugees, youth, students, gender) engages political issues
  • Challenges protesters face and the philosophies, tools and leadership strategies they adopt, reinvigorate or reject 
  • Contextualising and exploring the relationship and differences between social media protests today (YouTube, Skype, WhatsApp, virtual private networks, hashtags, street and screen activism) and traditional protests in the pre-Internet age (sit-ins, wade-ins, lunch counter protests, pamphleteering, speaker shout downs, obstructions); what we can learn or unlearn from past social movements
  • Collective action that combines politics with technology, activism in literature, visual activism, guerrilla activism, grassroots activism, culture jamming, vigils, boycotts
  • Theories of participation, community engagement and the public sphere
  • Insights into the nature of social change and its relationship to protest action.

 

Conference Targets

This conference aims to bring together academics/activists to explore all forms of protest action, issues, events, experiences and people (from scholars, organisers and grassroots peoples’ activism) and from those writing from within or about the global South. We welcome presentations from those working on the overarching topic of Stories of Resistance, Survival and Social Change, over space and over time. That is, our focus is transnational and historical as well as contemporary and local. In particular, we invite theoretical and empirical contributions that reflect on one or more of the following questions:

  • In what ways are we witnessing new kinds ofperformance protest’? - music, song, dance, festivals, expressive, creative and bodily repertoires of resistance, cultural revitalisation, community outreach and empowerment
  • Are there ‘safe spaces’ for protest and what forms do these spaces take both online and offline?
  • What does it mean to be an ally for a cause? What do allies gain or risk losing? What are the limits and possibilities of ally work? How have minority voices worked with allies? What makes a valuable or authentic ally?
  • How might we consider the ubiquitous protest signyou cannot represent usthat is now being brandished by waves of dissenters, non-conformists, resistance fighters and their allies around the world?
  • What existing or new concepts allow us to observe and describe instances of social change in protest movements over time?
  • How are digital tools being used to document protests and activism and how are these uses transformative and emancipatory, or undermined through policing, incarceration or surveillance?
  • Why and how do everyday citizens without activist experience come to be mobilised, to stage protests or occupy public spaces, in order to grow their movements and catalyse social change

 

Registration Costs:

Early bird registration: Waged $250; Students and unwaged $180 (Before 1 December 2019)

Late registration post 1 December 2019: Waged $300; Students and unwaged $220

Registration fee waivers will be offered at the discretion of the organisers to individuals facing financial hardship. Please indicate your interest for a registration fee waiver when submitting your abstract.

Registration site: https://activismatthemargins.eventbrite.com.au

 

Opening Keynote Event Only on Monday 10th February 2020 at 6pm with Professor Patricia Hill Collins $50 (included with registration).

Register here to attend opening keynote only: (https://activismatthemargins.eventbrite.com.au)

 

 

Send abstracts, panel proposals and enquiries to: activism2020@gmail.com

Applicants are invited to submit an abstract of max. 250 words and a short bio of max. 250 words by 1 October 2019.

 

Organising Committee:

  • Associate Professor Olivia Guntarik

(RMIT University, School of Media and Communication, Digital Ethnography Research Centre, and Screen and Sound Cultures Research Group, Enabling Capability Platforms: Social Change; Design and Creative Practice; Urban Futures)

  • Adjunct Professor Victoria Grieve Williams (RMIT University)
  • Ashleigh Bond, project manager (RMIT University)
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