HERMAN BENNETT CHLOE IRETON TATIANA SEIJAS ANJANA SINGH
EXTENDED DEADLINE 31 MAY 2019
The Renaissance in Europe saw a reinvigorated focus on natural surfaces as a key to creating order. Medical and natural philosophical frameworks emphasized the continuity of surface between the human and non-human: skins covered the humoral bodies of humans, animals, vegetables, and even minerals. At the same time, as global encounters became more frequent and more densely interwoven in the sixteenth and seventeenth centuries, skin increasingly acted as a marker of social identity, hierarchy and difference. How and why did this change in emphasis on skin emerge? And did Renaissance theories of surface contribute to this process?
Much of the recent historiographical debate on the classification of humans has focused on the interactions between colour, and ‘race’ as a bio-political device to inscribe fixed characteristics onto the bodies of men and women. This conference adds to and builds on this approach by exploring skin in all its early modern manifestations. Ranging from rhinoceros hides, citrus peel, bark, and leather to the highly contentious notions of human skin colouring and skin marking, it looks for continuities and discontinuities in the early modern era. This can be between humans, between animals and humans, and between the vegetal, animal, human, and mineral. In doing so, this conference aims to explore how the social, political, scientific, and aesthetic perceptions of skin interacted in complex ways to construct hierarchies and categories of inclusion and exclusion.
Global Skins aims to create a workshop environment for critical and collaborative discussion of new ideas, approaches and research projects. Papers will be pre-circulated and may take a variety of formats, from presentation of working sources to discussion of methodologies. The intention is not to disseminate completed papers, but to discuss emerging approaches and questions in this field. Four keynote lectures will be delivered by Herman Bennett (CUNY), Chloe Ireton (UCL), Tatiana Seijas (Rutgers) and Anjana Singh (Groeningen).
We invite proposals for work in progress from scholars researching any aspect of skin or surface in the early modern world. Proposals should include a title, a 200-word abstract, a short bio or CV, and either some work in progress or finished work that speaks to the interests at the heart of Global Skins. We have limited funds available for help with expenses. Please indicate when you apply if you will require financial assistance to attend. The deadline for proposals is 31st May, 2019. All proposals and enquiries should be sent to firstname.lastname@example.org
This is a Renaissance Skin event, organized by Evelyn Welch (PI), Hannah Murphy, Paolo Savoia and Kathleen Walker-Miekle at King's College London