The Lived Female Body in Performance– Call For Papers
Live Art Bistro, Leeds, UK. 3rdApril 2019.
A symposium hosted by the Performance and Bodies Research Group at the School of Performance & Cultural Industries, University of Leeds.
With performances by Quilla Constance and Anna Fenemore of Pigeon Theatre.
Call for papers deadline (20th January 2019)
We invite 20 minute papers or practice demonstrations that respond to the lived female body as it is experienced, felt, represented, performed and understood. With reference to scholarly work on the grotesque (Russo), the abject (Kristeva), impurity (Douglas), fluidity (Irigaray), and viscosity (Grosz), this symposium considers the ways that the female body has been constructed as fleshy, as seepage and as visceral. These ideas are very much embedded in a 1990s context that used laughter, unruliness and excess to challenge sterile notions of the nude passive female body. It could be argued that these ideas nevertheless reduced female subjectivity to an essentialist notion of body fleshiness that privileged white, cis-gendered Western bodies. Yet this context of performance and scholarly work still clearly resonates with the current context where unruly female flesh – that is old, diseased, fat, licentious, infertile, dead – is still an object of shame, repulsion or exotic fascination.
This symposium considers to what extent ideas about the fleshy body continue to resonate in a 21st century, digital, post-feminist context? Debates around period tax, access to sanitary products in food banks, breastfeeding in public, the ageing female body, trans rights, abortion, reproduction and body shaming evidence that the female body is still heavily framed and regulated within legislation, and by cultures of morality and shame. We ask, then, how can performance practice and scholarship interrogate and negotiate these conceptions of the lived female body?
We are particularly interested in ideas relating to the cyclical, unending and unfinished body – the process of fertility, birth and reproduction; the nourishment of the body and the politics surrounding eating or feeding the self and others; and the ageing or dying body and ‘deadness’ as an un-lived experience. These ideas have been explored in recent performance work, such as Quilla Constance’s Pukijam(2015); Marisa Carnesky’s Incredible Bleeding Woman; Selina Thompson’s Edible Womenseries; Lana Locke’s Mother’s Milk; Ellie Harrison’s The Grief Seriesand Lauren Barri Holstein’s characteristic ‘sexy-gross mash ups’ (Solga 2016) that investigate popular feminism’s displayed female body through an oozing mess of food detritus and urine. In light of this return to women’s corporeality in performance, we invite topics in relation to any form of performance, ritual or practice that might include but are not limited to:
- Fertility, conception, birth, adoption and surrogacy
- Food, feeding, eating and the grotesque
- The oozing, leaking, unfinished body
- Breastfeeding and human milk
- Ageing bodies
- The dead or dying body
- Contamination and impurity
- The female body as political agent
- The ‘natural’ and the ‘artificial’
- Excessive bodies (pleasures and limitations)
- Trans women and corporeal experiences
- Black bodies and identity
The symposium will include live performance by Quilla Constance titled Strategies for Exploring and Asserting Dissent and new performance work by Anna Fenemore on death, dying and deadness.
The fee for the symposium will be £25, which includes lunch and the performances.
Call for papers deadline 20th Jan 2019
Applicants notified 1st Feb 2019
Please send abstracts (approx. 250 words) along with a short biography to the co-organizers:
Anna Fenemore: A.Fenemore@leeds.ac.uk
Jenny Lawson: J.A.Lawson@leeds.ac.uk
Jacki Willson: J.M.Willson@leeds.ac.uk
Performance and Bodies Research Group at the School of Performance & Cultural Industries, University of Leeds.