CFP - Race, Gender and Technology in Science-Fiction - Maison Française d'Oxford

Elodie Grossi's picture
Type: 
Call for Papers
Date: 
December 1, 2018
Location: 
United Kingdom
Subject Fields: 
African American History / Studies, American History / Studies, Art, Art History & Visual Studies, Literature, Sexuality Studies

Call for papers: Maison Française d’Oxford 2019 

Interdisciplinary Conference

 

Race, Gender and Technology in Science-Fiction

A conference to be held at the Maison Française, Oxford

 

25-27 April 2019

 

The Maison Française conference committee invites proposals that examine the themes of

race, gender and technology in science-fiction from the classical period to the present, in all

media (print, film, television…) and from any continent.

 

Race and Gender

 

Aliens, journeys into space, time travel, wormholes, parallel universes, dark matter, artificial

intelligence, robots, cyborgs, self-replicating androids, super computers becoming self-aware,

memory implants, optograms, secret weapons, autonomous objects, connected objects,

enhanced reality, mass surveillance and the global panopticon, robocops, utopias,

terraforming, galactic empires, future cities, technosociety, mutants, degeneration,

dystopias… Whilst the focus in science-fiction studies has often been on the ethical dilemmas

that accompany (real or anticipated) scientific innovations, this conference wishes instead to

concentrate on the illuminations that science-fiction stories can bring to critical race theory

and gender studies. Writers of science-fiction extrapolate from the realms of scientific

knowledge or theory, or from technology, techniques, machines or instruments, and thus

envisage the possibilities of new social organisations, the appearance of new social facts, or

new social norms. This conference aims primarily to explore the intersections between

fictional science and the dynamics of race and gender.

How has anticipatory literature (including short stories, graphic novels, films, TV series…)

interacted with the life sciences to question the biologisation of race and gender? How have

its utopias/dystopias engaged with questions of gender, sexuality and empowerment? How

have its scenarios addressed the African-American, Chicano/a, Asian-American, Native

American experience, double-consciousness, colourblindness, whiteness or white privilege?

How does science-fiction engage with history, the colonial past, Jim Crow or slavery? How has

Afrofuturism changed in the digital age? Papers that investigate any of these topics are

particularly welcome. Whilst the examples above, for the purposes of exposition, refer

primarily to North America, we invite papers on science-fiction emanating from any

geographical territory.

 

Technology and the societal paradigm

 

On the subject of technology, how have writers linked science, experimentation or techniques

with self-identity, sexuality, social organisation, nationhood, or economic models, from

socialist utopias to post-scarcity or reputation-based economies? What might be the material

history of science-fiction artefacts? Papers that address these issues without explicitly

engaging in critical race theory or gender studies are also very welcome. Papers may be

disciplinary or multidisciplinary.

 

Science-fiction narratives typically imagine the enhanced performance of machines or bodies,

including superpowers, by extrapolating from existing technological innovations over the

progress of the centuries, such as communication over distance and manned flight in the

nineteenth century, to cybernetics and space flight in the twentieth. In a word, science-fiction

is anchored in history. Furthermore, it is common in science-fiction stories to discover that

scientific and/or technological discoveries stem from societal and political changes, or at least

that they are symmetrical. The texts and visual explorations of science-fiction posit technology

as a powerful force driving the socio-political order, transforming bodies and the natural

world, hybridizing the organic and the inorganic, blurring the boundaries between the

individual and the collective, and so on. In so doing, science-fiction gives material form to

theories of progress and modernity born of industrial and post-industrial societies — as

exemplified by the early Soviet science-fiction — through dystopian scenarios, and by

questioning our social use of technology today (for example, in the TV series Black Mirror).

Papers are invited that address the historical context that produced specific narratives, such

as the post-war periods, the cold war, the war on terror, the digital age, Brexit, etc. and their

potential self-fulfilling outcomes, to the extent that fictional models can have a real impact on

contemporary scientific research. They may also examine the influence of national traditions

(such as Franco-British exchanges in the nineteenth and twentieth centuries), and the growing

importance of transmediality across national frontiers, such as the film adaptations of comics,

mangas or graphic novels, for example.

 

Themes and studies

 

• The dynamics of race, gender and sexuality

• Masculinity in sci-fi culture

• Ethnographies of sci-fi audiences

• The use of ancient civilisations as (political) models

• The engagement with history and the colonial past

• Science-fiction as propaganda

• The engagement with forward-looking political science or economic models

• The transformation of everyday life

• The transformation of the body

• Technology as totalitarian or libertarian

• The history and theory of academic interest in sci-fi as a popular subculture

 

Papers shall be given in English.

 

Proposals are due by 1 December 2018.

 

Send 300-word abstracts (as an email attachment in Microsoft Word format, RTF, or PDF)

along with a one-page CV to

mfosf2019@gmail.com

 

Roundtable sessions of 60 to 90 minutes may be proposed. They should be pre-organised,

and include 3 to 5 panellists. To propose a roundtable, the discussion moderator will send a

single 300-word abstract describing the chosen topic, as well as supplying the full details of

each panellist, namely their contact information (email and phone number), affiliation and a

one-page CV for each. Please be sure to confirm the participation of all panellists before

submitting an abstract.

 

Roundtable proposals are due by 1 December 2018.

 

Proposals are accepted on the principle that they represent original research that has not

been published elsewhere, and on the understanding that the conference organisers will

have priority in taking the papers to publication.

 

Confirmation of acceptance will be sent by the end of January 2019.

 

One-page/500-word abstracts must be sent by the end of February 2019.

 

The proceedings are intended for publication, and the final texts are to be sent by the end of

May 2019.

 

Conference venue :

Maison Française d’Oxford

2-10 Norham Road

Oxford OX2 6SE

Oxfordshire

England

 

Organisers:

Paul Edwards (MFO, CNRS/LARCA, Université Paris Diderot)

Marie Thébaud-Sorger (MFO, CNRS)

Vivien Prigent (MFO, CNRS)

Elodie Grossi (MFO, UVSQ)

Contact Info: 

Elodie Grossi

mfosf2019@gmail.com 

Contact Email: