Literature cannot be the business of a woman's life, and it ought not to be. The more she is engaged in her proper duties, the less leisure will she have for it even as an accomplishment and a recreation.
--- Robert Southey to Charlotte Brontë, 1837
Invited keynote: (provisional) Professor Alexis Easley, St Thomas University, Minnesota.
Authors Emily Midorikawa And Emma Sweeney will participate in a panel discussion about women’s literary friendships, drawing on their research for their recent book A Secret Sisterhood: The Hidden Friendships of Austen, Bronte, Eliot and Woolf (Aurum Press, 2016)
This interdisciplinary conference, to be hosted by the University of Reading in March 2018, aims to explore the wide variety of women’s engagement with literary and theatrical cultures in the long-nineteenth century as authors, performers and audience members. Literary and dramatic pursuits brought women into the public consciousness not only as creators and critics, but also as fans and consumers. This conference develops the transdisciplinary perspectives of fan studies and audience engagement research back into the pre-twentieth century era. Scholars are invited from the fields of literary studies, social history, cultural studies, readership studies, book history, fan studies, and history of leisure and recreation to foster dialogues on the subject of nineteenth-century female creativity.
We invite proposals of 300 words for 20 minute presentations relating to the conference theme.
Topics may include, but are not limited to:
Responses to women’s literature – reviews, articles in periodicals and newspapers, letters written to female authors, advice on reading offered to women
Women’s ephemera – scrapbooks, commonplace books, marginalia, correspondence, diaries
Female authors in conversation – intertextual references to other works, correspondence between authors and/or publishers
Gender and performance – theatrical and musical fandoms, public readings of poetry and prose, women’s public speaking
The promotion and marketing for cultural events and publications featuring women, and/or aimed at a female audience
Women and the literature of professionalization – scientific articles, monographs, medical treatises, autobiographies/biographies of prominent female professionals
Gender and performativity – writing under gendered pseudonyms, the ‘feminisation’ of genres such as the gothic and the romance
Please send your abstracts and a 100 word biographical note to the organiser by 30 November 2017.
Organser: Evan Hayles Gledhill,
University of Reading