Call for Publications n°10 EOLLES Journal Special Issue on Feminisms and ARTivism in the Americas (20th-21st centuries)

Anouk Guiné's picture
Call for Publications
August 20, 2018
Subject Fields: 
Art, Art History & Visual Studies, Chicana/o History / Studies, Ethnic History / Studies, Latin American and Caribbean History / Studies, Women's & Gender History / Studies
 Anouk Guiné (University of Le Havre) and Emanuele Carvalheira de Maupeou (University of Rouen) invite you to present a paper for EOLLES Journal special issue on Feminisms and ARTivism in the Americas (20th-21st centuries)


Women’s movements have a long, diverse history. Yet, the diversity and plurality of these female voices and modes of action have been often occulted. Like in other areas of thought and action, western-centric theories and manifestations have been the most visible. These narratives quickly became universal. Many recognized theorists as well as the periodization of feminism into “waves” relate only to white, upper- and middle-class women. However, other forms of expression and action have also developed early on. North American Black feminism dates back to the 19th century and was part of the abolitionist movement. In Ibero-America, the political organization of black women started later but recent research has underlined the agency of enslaved women, notably through disobedience. Indigenous women’s political participation is important in their communities since the colonial era, as evidenced by the crucial actions of Gregoria Apaza, Bartolina Sisa and Micaela Bastidas during Túpac Amaru II’s revolution (1780-1782).


Any investigation of organization by women of color should take into account the sociohistorical contexts that influence their development. Systems of colonial exploitation (plantocracy, slavery, latifundia) have conditioned forms of political action in the Americas. Bodies of Black and indigenous women were particularly subjected to control and repression. These circumstances limited possibilities for reunion and political engagement for a long time. Surviving oppression has been a full time job for many women. For all that, they never stopped to fight for justice. These struggles have been rather autonomous, numerous and varied over time and/or space. They have not yet resulted in the creation of global movements. These particular histories also explain the apparent “delay” in the integration of these actions in Herstory. This is why we want to re-evaluate the role and importance of these movements.

Given the dispersed and multifaceted nature of their forms of action, the theoretical importance of American women of color has been invisible, despite being rich and vigorous. For example, Black feminist thought in the United States has revolutionized theory by introducing new questions about the subject of feminism (“we, women”) and proposing new concepts to analyze forms of domination, like intersectionality (coined by law professor and leading critical theorist Kimberlé Crenshaw). Inspired by the concepts, histories and experiences unique to Black women, Ibero-American feminists have developed an equally rich critical thought called decolonial feminism. Feminists like Ochy Curiel, Lélia Gonzalez or Yuderkys Espinosa propose an antiracist feminist thinking rooted in indigenous and African-American history. Through their experience, these feminists also question gender relations and conceptualize the notion of political lesbianism.


The specificity of counterhegemonic feminisms is due to a unique articulation between theory and praxis. For instance, feminist ARTivists are increasingly expressing their demands across the continent, notably through hip hop or visual arts – like the collectives “Somos guerreras” or “Batallones femeninos”. These forms of action and activism are part of a global struggle that does more than questioning patriarchy only, that does more than many white and bourgeois feminist collectives. For Abya Yala feminists, it is necessary to fight against patriarchy, racism and the coloniality of power, all at the same time and by drawing on the specific history of indigenous and Black people. The body plays a fundamental role in both the issues raised and privileged forms of action. As a site of colonization, the body has to be reinvested and re-appropriated through arts and performance.


This edition will examine the plurality and the strengths of these movements across America. We invite papers that deal with the specific features of these feminisms and their contribution to the fight against race, gender, sexuality and class oppression. Comparative works are particularly encouraged.

We welcome papers on the following themes:


Women and ARTivism

American ARTivists, be they mixed-race, indigenous, Black, Andean, Mesoamerican, chicanas, chingonas or cholas, develop multiple actions where art is an organizing strategy to fight oppression through decolonial resistance. Literature, press, music, performance, fine arts, visual, graphic, multimedia and urban arts, have become spaces of contestation. Xicana artists such as Daisy Salinas or Muchacha Fanzine, Crystal Galindo and Alma López; Brown chingonas women (Mexico); Guerrilla Girls (USA), art elaborated by women who were victims of armed conflicts, and by female political prisoners; the women belonging to hip-hop movements; the feminist batucadas; the Festival Nosotras Estamos en la Calle (Peru); Jovens Negras Movendo as Estruturas (Brazil) are all instances of these contestations. We invite authors to pay tribute to Marielle Franco, a Black lesbian feminist, and Rio de Janeiro city councillor, who was assassinated on March 14th 2018, and whose last project dealt with Rio traditional funk. 


North American Black feminists first questioned hegemonic feminism by drawing from their own experiences. They integrated categories of race and sex to enrich Marxist critical theory and Materialist Feminism. We can mention, among others, bell hooks, Audre Lorde, Patricia Hill Collins and Angela Davis. Black Women’s movements in Ibero-America are more recent. They articulate their filiation with Africa to common claims they share with other movements of Latin-American women, especially indigenous ones. In Brazil, Lélia Gonzalez forged the term “amefrica ladina” to highlight these links. In the Hispanic world, other strong movements emerged from Cuba to Peru.


Feminisms on the Borders: Xicana Feminism

Given the plurality of American women’s movements, it is important to mention how experience, knowledge and practice have circulated throughout America. These interactions will be analyzed more through their actions than through theories. Chicana feminists or Women/lesbians of Color such as Gloria Anzaldúa, Cherrie Moraga, or the artists Judithe Hernandez and Judy Chicago, stand at the intersection of different cultures and references, between feminism and La Raza, and from communalism, embodied memory, but also materialist and anarchist thinking, they have politically redefined themselves as mestiza or “from the border”.


Indigenous activism and feminism

Women in indigenous communities never confined themselves to private spaces. However, since the conquest, they have been subjugated to the colonial patriarchal system. In the last third of the 20th century, they have mobilized indigenous groups politically in Chiapas, Guatemala, Ecuador and Bolivia. These movements claim to be the “original people” with specific rights in order to lift themselves out of their status of second-class citizens. But it is also a fight against capitalist and neoliberal expansion in their territories as shown by the examples of Berta Cáceres (lenca), Máxima Acuña (quechua) ou LaDonna Brave Bull Allard (sioux).


The papers, of 2000 to 6000 words, will be written in English, Spanish, Portuguese or French. Please send an abstract and a brief author bio.

The deadline for papers, which should be emailed to Anouk Guiné ( and Emanuele de Maupeou (, is 20 August, 2018.

Contact Info: 

Anouk Guiné, Université Le Havre Normandie: 

Emanuele de Maupeou, Université de Rouen Normandie: