PANAFRICA: IMAGE, SOUND, TEXT
Dear colleagues,
You are cordially invited to the symposium, PANAFRICA: IMAGE, SOUND, TEXT, taking place at K1 (the temporary site for Kanal-Pompidou) in Brussels (Belgium), on June 9th, from 9:30 AM to 7: PM.
Pan-Africanism is seen primarily as a political project. But in the many guises it takes, it also engages in cultural and aesthetic innovation. Imagining Panafrica as the promised land implied a utopian endeavor, new forms of representation and new strategies of dissemination. Focusing on iconography, aurality and poetry, this symposium examines how certain artistic and aesthetic practices of the 20th century shaped Pan-African thought.
Panafrica: Image, Sound, Text kickstarts a multi-year and multi-sited series of public programs connected to Project a Black Planet: The Art and Culture of Panafrica, the first exhibition expressly devoted to surveying modern and contemporary cultural activity through a pan-Africanist lens. The exhibition brings together several hundred examples of creative production in architecture, design, film, literature, sound, and visual art, from the 1920s to the present. The exhibition opens at the Art Institute of Chicago in December 2024, and will subsequently travel to venues including to the Museu d’Art Contemporani de Barcelona (Summer 2025) and to KANAL-Centre Pompidou (Fall/Winter 2025/2026).
09:30-10:30 | Welcome & Introduction
Kasia Redzisz, KANAL Artistic Director
Sandrine Colard, KANAL Curator-at-large
10:30-12:00 | Iconography Panel
This panel considers the making, uses, and distribution of iconic images and visual objects within the history of Pan-Africanism. We will consider what constitutes Pan-African iconography and what remains unavailable for iconographic representation.
Moderator
Elvira Dyangani Ose, Director Museu d'Art Contemporani de Barcelona - MACBA
Presentations
Alicia Knock, Curator Contemporary Art and Prospective Department, Centre Pompidou Paris.
Nydia Swaby, Black feminist researcher, writer and curator, London.
Hamza Walker, Director LAXART, Los Angeles.
12:00-13:30: Lunch
13:30-15:00 | Aurality Panel
The panel explores the significant role played by sound and listening, from music to political speech, within the history of Pan-Africanism. We will explore the pathways of circulation and practices of reiteration that enable the resonance of these sonic forms across the Black world.
Moderator
Adom Getachew, Assistant Professor Political Science, Race, Diaspora, & Indigeneity, University of Chicago
Presentations
Antawan Byrd, Associate Curator Photography and Media, Art Institute of Chicago.
Yasmina Reggad, Independent researcher, writer and curator and performance artist, Brussels.
Satch Hoyt, Multimedia and sound artist, Berlin.
15:00-15:30: Short Break
15:30-17:00 | Poetics Panel
The panel considers how certain literary genres and forms have proved central to Pan-African discourse. We will examine the aesthetic and rhetorical contours of a Pan-African poetics broadly construed.
Moderator
Matthew Witkovsky, Vice President for strategic art initiatives and Chair of Department of Photography and Media, Art Institute of Chicago
Presentations
Antoine Tshitungu Kongolo, Professor University of Lubumbashi
Amanda Carneiro, Assistant Curator Mediation and Public Programmes, Museo de Arte de São Paulo.
Nadia Nurhussein, Professor English and Africana Studies, Johns Hopkins University, Baltimore.
17:30-18:30 | Closing Keynote
Tsitsi Ella Jaji, Poet and Bacca Foundation Associate Professor, Duke University, Durham
18:30: Conclusion
Kasia Redzisz, KANAL Artistic Director.
Sandrine Colard, KANAL Curator-at-large.