Call for Papers: "Grand Narratives, Posthumanism, and Aesthetics", Aarhus Conference 22-24 march 2017

Jakob Gaardbo Nielsen's picture
Call for Papers
November 1, 2016
Subject Fields: 
Art, Art History & Visual Studies, Film and Film History, Literature, Philosophy, Popular Culture Studies

Posthuman Aesthetics, Aarhus University, presents:

Grand Narratives, Posthumanism, and Aesthetics

Conference, March 22-24, 2017, Aarhus, Denmark

The research project “Posthuman Aesthetics” invites proposals for its second conference:  “Grand Narratives, Posthumanism, and Aesthetics”, March 22-24, 2017, at Aarhus University, Denmark.

Posthumanism sits uneasily with historicity. While transhumanist visions for an upgraded humanity fit almost too well with different sorts of teleological narratives – technological ones of accelerated progress, Darwinian ones of inevitable species transformation, socio-philosophical ones of needed human enhancement (from Nietzsche to totalitarianism) – critical posthumanism, on the other hand, questions historicity so thoroughly that it remains indeterminate whether we became posthuman yesterday or always were. Tellingly for this tension, the grandest thinkable of posthuman narratives, speculating what might happen to negentropic complexity after the sun in a far future has swallowed up the earth, was delivered by Jean-François Lyotard, the philosopher who otherwise became famous for killing off of the grand narratives. Moreover, when we do move into historiographies that more obviously expose larger time scales (such as Big History, Deep History and the theories of the Anthropocene), these historiographies tend to leave out a posthuman dimension.

In this conference we wish to confront head-on the hesitance toward large-scale posthumanist historiography, making an aesthetic point of view the catalyst for an invigorated exploration of possible posthuman grand narratives. In what ways may the interpretation of art and aesthetics be helped by large-scale narratives including and reflecting upon posthumanism? And how might artistic expositions of the posthuman facilitate new understandings of our position in or outside historical grand narratives? The conference thus invites contributions that address the ways in which grand narratives relate to the historiography of the posthuman. Although the conference has an aesthetic core, we invite contributions from other research fields such as the histories of science, technology and media, philosophy of science, biological sciences and Big History, extending the histories of aesthetic domains proper (art, literature, music, performance, aesthetic theory, etc.).

A non-exhaustive series of topics include

  • The chronology of the posthuman condition (biocybernetic, Anthropocene, or universally ‘human’?)

  • Negentropic/entropic evolution and their treatment in art (cp. eg. Robert Smithson and the question of the inorganic)

  • The relation in and outside art between cultural and natural histories; between grand and small narratives; and between evolutionism and anachronism, including the question of anachronism as a result of a new hyper-exchange of memes

  • Emergence as a form of grand narrative

  • The relation between art, literature and technology in exposing posthuman grand narratives

  • A posthuman grand narrative as a philosophy of the human condition

  • Anthropocene/Posthuman: compatible or competing grand narratives?

  • Darwinist evolution as the ‘good’ grand narrative

  • The status of the dualism perfection/imperfection in relation to posthuman enhancement

Confirmed keynote speakers

N. Katherine Hayles, James B. Duke Professor and director of Graduate Studies in the Program in Literature, Duke University

N. Katherine Hayles is recognized worldwide for her many acclaimed contributions to the fields of critical theory, electronic literature and critical posthumanism. Her numerous books include How We Think: Digital Media and Contemporary Technogenesis (University of Chicago Press, 2012), My Mother Was a Computer: Digital Subjects and Literary Texts (University of Chicago Press, 2005) and How we Became Posthuman: Virtual Bodies in Cybernetics, Literature and Informatics (University of Chicago Press, 1999)


Stefan Lorenz Sorgner, Professor of Philosophy and Bioethics, John Cabot University Rome

Stefan Lorenz Sorgner is director and co-founder of the Beyond Humanism Network, Fellow at the Institute for Ethics and Emerging Technologies (IEET), and Research Fellow at the Ewha Institute for the Humanities at Ewha Woman’s University in Seoul. He is the author of Metaphysics without Truth: On the Importance of Consistency within Nietzsche’s Philosophy (2007). His edited and co-edited volumes include From Humanism to Meta-, Post- and Transhumanism? (2016), Geschichte der Bioethik (2011), Human-Biotechnology as Social Challenge (2007) and Eugenik and die Zukunft (2006)



Location: Aarhus University, Denmark (Venue TBA)

Dates and deadlines

Deadline for abstract submission: 1 November 2016

Deadline for registration: 1 March 2017

Submission of abstract

Please submit 400 word abstracts (incl. short bio) to:


Admission fee: 75€ (faculty), 30€ (PhD/Postdoc/independents)

The admission fee covers the entire conference, including a conference dinner and light refreshments during breaks.


Professor Jacob Wamberg

Postdoc Laura Søvsø Thomasen:

Please direct practical questions and other inquiries to conference assistant, Jakob Gaardbo Nielsen:


Online registration platform will follow on our website


See more about the Posthuman Aesthetics project, its research group, project outline and individual projects at

Contact Info: 

Jakob Gaardbo Nielsen

Conference Organiser/Student assistant

Posthuman Aesthetics,

Aarhus University


Please submit 400 word abstract (incl. short bio) to no later than 1 november 2016

Conference organizers:

Professor Jacob Wamberg, Art History:

Postdoc Laura Søvsø Thomasen, Comparative Literature:

Contact Email: