TOC | Last issue ARTis ON

Announcement Type

Journal

Location

Portugal

Subject Fields

Art, Art History & Visual Studies, Architecture and Architectural History, Cultural History / Studies, Film and Film History, Fine Arts

ARTis ON is an annual scientific journal, published only in digital format and open access, open to collaboration of students, cultural heritage technicians, agents of the art market, etc., in order to disseminate emerging studies that stand out for their quality and originality.

The last issue of the journal, titled Excess and Insufficiency of video: present issues, is dedicated to the role performed by this medium in current artistic practices.

This issue of ARTis ON seeks to reflect on the questions raised by current video practices and subsequent considerations to Art History, not so much in its antecedents or in the history of neo-Avant-gardes, but above all on the most recent achievements.

Issue 11 is available in the link:

http://artispress.letras.ulisboa.pt/index.php/artispress/catalog/book/26

Articles
Jan THOBEN
Conceptualizing video: theoretical perspectives on the electronic image 1981-2016, pp. 8-18
DOI: https://doi.org/10.51427/iha.aon.2021.0001

Sara Marlene Serra de Almeida Castelo BRANCO, Hugo Miguel de Almeida PINHO
The medium as an heuristic and intermedial device - an approach to the exhibitions meio concreto by Alexandre Estrela, and Lua Cão by Alexandre Estrela and João Maria Gusmão and Pedro Paiva, pp. 19-31
DOI: https://doi.org/10.51427/iha.aon.2021.0002

Helen WESTGEEST
"Insufficient projections" in video installation art about skin tone bias: parasitism in Tau Lewis' flesh-tone mask, pp. 32-41
DOI: https://doi.org/10.51427/iha.aon.2021.0003

João Miguel Banito TOMÉ
Between the soil and the surface of Projection paths of struggle and liberation in Mined Soil, by Filipa César, pp. 42-50
DOI: https://doi.org/10.51427/iha.aon.2021.0004

Margarida de Lopes GRILO
The time of the Anthropocene - the limits of speculative fiction in contemporary video art pratices, pp. 51-59
DOI: https://doi.org/10.51427/iha.aon.2021.0005

Sílvia Catarina Pereira DIOGO
The art of Korean vídeo: from television to post-cybernetic phantasmagoria, pp. 60-72
DOI: https://doi.org/10.51427/iha.aon.2021.0006

Francisca SOUSA, João CHAVES
Body tracks - conservation problems in a film by Ana Mendieta, pp. 73-88
DOI: https://doi.org/10.51427/iha.aon.2021.0007

Varia - Interview

Conversation in Lisbon University: Michael FRIED, pp. 91-99
DOI: https://doi.org/10.51427/iha.aon.2021.0008

Research notes

Sónia DUARTE
Sofonisba and Lavinia: two female painters and musicians from the 16th century, pp. 101-109
DOI: https://doi.org/10.51427/iha.aon.2021.0009

Carlota da Silva CORTESÃO
Remígio Francisco - a t8th century architect contributions to a biography, pp. 110-119
DOI: https://doi.org/10.51427/iha.aon.2021.0010

Reviews

Joaquim Rodrigues dos SANTOS
18 olhares sobre André Soares, Eduardo Pires Oliveira (coord.), 2019, 2 vols., pp. 121-124
DOI: https://doi.org/10.51427/iha.aon.2021.0011

José Manuel FERNANDES
Remains of Dark Days: the architectural heritage of oratorian missionary churches in Sri Lanka, Sagara Jayasinghe, Joaquim Rodrigues dos Santos e Hélder Carita, 2019, pp. 125-127
DOI: https://doi.org/10.51427/iha.aon.2021.0012

Laura CASTRO
Gunnar s. Gundersen norwegian post-war modernist de Jan Stuttgart, 2020, pp. 128-130
DOI: https://doi.org/10.51427/iha.aon.2021.0013