Abstracts due April 1st.
Single Lives: 200 Years of Independent Women in Literature & Popular Culture
University College Dublin, 13-14 October 2017
Proposal Deadline: 1 April 2017, midnight Dublin time.
Notifications by 1 May 2017
This conference will explore the last 200 years of literature and popular media by, about, and for single women in relation to aesthetics and form, race, sexuality, class, space, reproduction and the family, political movements, and labor.
Independent women —singly blessed, new, surplus, or adrift— have remained a center around which anxieties and excitement coalesce. A range of historians, demographers, and literary scholars have focused on the social and political significance of diverse single women in the nineteenth, twentieth, and early twenty-first centuries. Moving between the family home and domestic independence, between household and public labor, and between chastity and a range of sexual relations, the single woman remains a literary and cultural focus.
In recent years, especially in relation to UK and US elections, there has been an explosion of popular interest in contemporary singleness. Rebecca Traister’s Big Girls Don’t Cry and All the Single Ladies, comedian Aziz Ansari’s Modern Romance, Eric Klinenberg’s Going Solo, the Washington Post’s “Solo-ish”, as well as the work of psychologist and single-rights activist Bella DePaulo, author of Singled Out: How Singles are Stereotyped, Stigmatized, and Ignored but Still Live Happily Ever After, all explore what it means to be a socially, politically, and sexually active single person in the 21st century. News outlets, film, television, and a host of social and marketing media have demonstrated that people are fascinated by the changing status of singles.
Singleness Studies has emerged as an academic field over the last two decades but has rarely had its own forum for collaboration and exchange. This conference will bring together multiple disciplinary perspectives to uncover the social, political, economic, and cultural connections between the “singly blessed” women and “bachelor girls” of the 19th and early-20th century and “all the single ladies” of the contemporary moment. We seek proposals that analyze single lives within or across this time frame, from disciplines including literature, media studies, history, geography, sociology, architecture, political science, and more. Papers and full panels that create new perspectives by crossing boundaries and integrating multiple disciplines are especially welcome.
Please direct all questions about the conference and the submission process to: email@example.com
For up to date conference details, see our website: https://singlelives2017.wordpress.com/
Find us on Facebook: https://www.facebook.com/Single-Lives-2017-Conference-1262119710546609/
School of English, Drama, and Film
University College Dublin