TOC: NAN NÜ, 19.2 (2017)

Qin Higley Discussion

The latest issue of NAN NÜ is now available! Below, please find the table of contents and see the link for more information:

Volume 19, Issue 2, 2017

ISSN: 1387-6805

E-ISSN: 1568-5268

http://booksandjournals.brillonline.com/content/journals/15685268/19/2

“The Pictorial Portrayal of Women and Didactic Messages in the Han and Six Dynasties,” by Wen-chien Cheng, pp.: 155–212 (58)

“Chinese Women Go Global: Discursive and Visual Representations of the Foreign ‘Other’ in the Early Chinese Women’s Press and Media,” byPaul J. Bailey, pp.: 213–262 (50)

“A Pictorial Autobiography by Zeng Jifen (1852-1942) and the Use of the “Exemplary” in China’s Modern Transformation,” by Binbin Yang, pp.: 263–315 (53)

“Heroes, Hooligans, and Knights-Errant: Masculinities and Popular Media in the Early People’s Republic of China,” by Y. Yvon Wang, pp.: 316–356 (41)

“Gentlemen, Heroes, Real Men, Disabled Men: Explorations at the Intersections of Disability and Masculinity in Contemporary China,” by Sarah Dauncey, pp.: 357–384 (28)

“Women in Imperial China, written by Bret Hinsch, 2016,” reviewed by Robin D.S. Yates, pp.: 385–393 (9)

“Two Centuries of Manchu Women Poets: An Anthology, written by Wilt Idema, 2017,” reviewed by Xiaorong Li, pp.: 394–397 (4)

“Women Warriors and Wartime Spies of China, written by Louise Edwards, 2016,” reviewed by Ying-kit Chan, pp.: 398–401 (4)

“Finding Women in the State: A Socialist Feminist Revolution in the People’s Republic of China, written by Zheng Wang, 2016,” reviewed by Nicola Spakowski, pp.: 402–405 (4)

“Gendered Bodies: Toward a Women’s Visual Art in Contemporary China, written by Cui Shuqin, 2015,” reviewed by Elizabeth Parke, pp.: 406–409 (4)

“Chinese-British Intermarriage: Disentangling Gender and Ethnicity, written by Yang Hu, 2016,” reviewed by William Jankowiak, pp.: 410–413 (4)

Corrigenda, pp.: 415–415 (1)

Contents to Volume 19 (2017), pp.: 417–418 (2)