All Recent Content
Call for Papers: Spain and Construction of Musical Exoticism
Symposium: 30 November - 1 December 2018
Melbourne Conservatorium of Music, University of Melbourne
Tim Rayborn. A New English Music: Composers and Folk Traditions in England’s Musical Renaissance from the Late 19th to the Mid-20th Century. Jefferson, NC: McFarland, 2016. 312 pp. $39.95 (paperback), ISBN 978-0-78649-634-1.
Call for Papers: Amplifying Antiquity: Music as Classical Reception
Strand Campus, King’s College London, 12–13 December 2018
Organized by the departments of Classics, Music, and Comparative Literature at King’s College London
Deadline: 9 July
Larry Wolff. The Singing Turk: Ottoman Power and Operatic Emotions on the European Stage from the Siege of Vienna to the Age of Napoleon. Stanford: Stanford University Press, 2016. xii + 490 pp. $29.95 (cloth), ISBN 978-0-804-79577-7.
Jessie Ann Owens and Katelijne Schiltz, eds. Cipriano de Rore: New Perspectives on his Life and Music. Turnhour: Brepols, 2016. 507 pp. €80.00 (paperback), ISBN 978-2-503-56777-8.)
Andrew Talle. Beyond Bach: Music and Everyday Life in the Eighteenth Century. Champaign: University of Illinois Press, 2017. xviii + 343 pp. $45.00 (cloth) ISBN 978-0-252-04084-9; $29.95 (paperback),ISBN 978-0-252-08389-1.
Gordon McMullan and Sam Smiles, eds. Late Style and its Discontents: Essays in Art, Literature, and Music. New York: Oxford University Press, 2016. xiii + 270 pp. $90.00 (cloth), ISBN 978-0-198-70462-1.
Symposium: A ‘Musical League of Nations’?: Music Institutions and the Politics of Internationalism
29-30 June 2018, Institute of Musical Research, Senate House, London
Keynote Speaker: Prof. Anne Shreffler (Harvard University)
‘What art is better adapted to form an international connecting-link, than music?—especially instrumental music, which is in a manner an international language, an expression of the most intimate, the profoundest emotions of man.’ – Guido Adler, 1925