The Intellectual Worlds of Johannes Brahms
International Conference | University of California, Irvine | 1–3 February 2019
The conference committee welcomes submissions from a diverse field of interdisciplinary scholars including those working on music theory and analysis, musicology, aesthetics, music and philosophy, critical theory, historiography, and German studies, and those wishing to present lecture recitals relating to the conference themes.
There are five conference themes:
Celia Applegate. The Necessity of Music: Variations on a German Theme. Toronto: University of Toronto Press, 2017. xii + 402 pp. $39.95 (paperback), ISBN 978-1-487-52048-9.
For over twenty years, Celia Applegate has maintained that historians need to study music.
Call for papers / Appel aux communications:
Bibliothèque historique de la ville de Paris
The FMC International Steering Committee proposes to broaden the scope of the network and its future research. It intends going beyond the documentation, investigation and analysis of the press, to engage with all aspects of music
The Centre for Russian Music at Goldsmiths, University of London, opens up its collections for display at Barbican Music Library.
This exhibition features rare Soviet scores, texts and vinyl, and tells stories of Soviet composers’ complex negotiations with political power, and of unusual lines of conta
Chornobyl Songs Project: Living Culture from a Lost World. 2015. Produced by Maria Sonevytsky in association with The Center for Traditional Music and Dance and The Yara Arts Group. Annotated by Maria Sonevytsky with Yevhen Yefremov.
Mozart's Thematic Catalogue 1784–1791 made available online by the British Library
Simon Morrison. Bolshoi Confidential: Secrets of the Russian Ballet from the Rule of the Tsars to Today. London: 4th Estate (HarperCollins), 2016. xxix + 507 pp. £20.00.
Echoing the title of James Ellroy’s famous 1992 crime novel L.A.