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Title Type Author Posted
Reviewed Elsewhere: R. James Arnold. Musical Debate and Political Culture in France, 1700–1830. Discussion Lars Fischer 01/21/2019 - 3:28pm
Reviewed Elsewhere: Étienne Jardin, ed. Music and War in Europe from French Revolution to WWI. Discussion Lars Fischer 12/21/2018 - 3:58am
Reviewed Elsewhere: Chiara Bertoglio, Reforming Music: Music and the Religious Reformations of the Sixteenth Century. Discussion Lars Fischer 12/21/2018 - 3:52am
Reviewed Elsewhere: John Goulden, Michael Costa: England’s First Conductor: The Revolution in Musical Performance in England, 1830–1880.  Discussion Lars Fischer 12/16/2018 - 5:37am
CFA: Change Over Time Journal--9.2 Sounding Heritage, DUE Jan 4, 2019 Discussion Jacob Torkelson 12/16/2018 - 5:37am
Reviewed Elsewhere: Grace Wang, Soundtracks of Asian America: Navigating Race through Musical Performance. Discussion Lars Fischer 12/13/2018 - 3:29am
Review Elsewhere: Alan R. H. Baker, Amateur Musical Societies and Sports Clubs in Provincial France, 1848–1914: Harmony and Hostility. Discussion Lars Fischer 12/13/2018 - 3:26am
Reviewed Elsewhere: Rick Massimo, I Got a Song: A History of the Newport Folk Festival. Discussion Lars Fischer 12/11/2018 - 5:35am
Reviewed Elsewhere: Manuel Pedro Ferreira, ed. Musical Exchanges, 1100–1650: Iberian Connections. Discussion Lars Fischer 12/11/2018 - 5:34am
Reviewed Elsewhere: James Q. Davies and Ellen Lockhart, eds. Sound Knowledge: Music and Science in London, 1789–1851. Discussion Lars Fischer 12/06/2018 - 2:10am
Reviewed Elsewhere: Kathryn Bishop-Sanchez, Creating Carmen Miranda: Race, Camp, and Transnational Stardom. Discussion Lars Fischer 12/06/2018 - 2:09am
Reviewed Elsewhere: Roger Steffens. So Much Things to Say: The Oral History of Bob Marley. Discussion Lars Fischer 12/04/2018 - 10:25am
Call for Papers: Magnified and Sanctified: The Music of Jewish Prayer II (Hannover, September 2019) Discussion Lars Fischer 12/04/2018 - 10:25am
Call for Papers: Italian Musical Migration to the British Isles, 1700-1950 (Birmingham, April 2019) Discussion Lars Fischer 11/29/2018 - 3:16pm
Call for Papers: Jewish Music in South Germany—History, Exile, Continuance (Munich, July 2019) Discussion Lars Fischer 11/29/2018 - 3:02pm
Reviewed Elsewhere: Andrew R. Walkling, Masque and Opera in England, 1656–1688. Discussion Lars Fischer 11/29/2018 - 12:25pm
Reviewed Elsewhere: Michael Robertson, Consort Suites and Dance Music by Town Musicians in German-Speaking Europe, 1648–1700.  Discussion Lars Fischer 11/29/2018 - 12:24pm
Reviewed Elsewhere: David Kimbell, Handel on the Stage. Discussion Lars Fischer 08/05/2018 - 3:42am
Reviewed Elsewhere: James Wierzbicki, Music in the Age of Anxiety: American Music in the Fifties. Discussion Lars Fischer 08/05/2018 - 3:42am
Reviewed Elsewhere: Allison McCracken, Real Men Don't Sing: Crooning in American Culture. Discussion Lars Fischer 08/01/2018 - 10:39am
Reviewed Elsewhere: Maria Gullstam and Michael O'Dea, eds. Rousseau on Stage: Playwright, Musician, Spectator.  Discussion Lars Fischer 08/01/2018 - 10:38am
Reviewed Elsewhere: George Rodosthenous, ed. The Disney Musical on Stage and Screen: Critical Approaches from Snow White to Frozen. Discussion Lars Fischer 07/30/2018 - 5:51am
Call for Papers: Clara Schumann (née Wieck) and her World (Oxford, 15–16 June 2019) Discussion Lars Fischer 07/30/2018 - 5:51am
Reviewed Elsewhere: Christina Bashford and Roberta Montemorra Marvin, eds. The Idea of Art Music in a Commercial World, 1800–1930. Discussion Lars Fischer 07/24/2018 - 1:06pm
Call for Papers: The “Other” Voice: High Male Voices between Gluck and Rock (Nuremberg, 5–7 July 2019) Discussion Lars Fischer 07/24/2018 - 1:05pm