The latest post on the Parade Talk blog on H-Celebration is titled, "Marketing an Event Experience: where the zombies, skeletons, and unicorns roam for free or fee." In it, Tiff Graham takes up why we seem to enjoy death, zombies, and other scary things so much. Could the answer be as easy "marketing"?
Welcome to H-PCAACA, a member of the H-NET Humanities Online initiative. H-PCAACA encourages scholarly collaboration and discussion about popular, American and world cultures. This network, affiliated with The Popular Culture Association and American Culture Association, also serves as an invitation for scholars and graduate students to join the activities of these internationally recognized organizations.
To submit CFP's, announcements, news, and queries to H-PCAACA's 2000+ subscribers, simply scroll down to the "Write New Discussion Post" link on this page. Enter your post in the field that pops up, add a few tags (or "keywords"), and click "Review" at the bottom of the page. Everything look OK? Then click "Submit to Editor" at the bottom of the review page and that's it!
I am putting together a panel on masculinity and politics for the 2019 OAH. My work is on anti-matriarchalism and the origins of the Men's Rights Movement, and I'm looking for fellow panelists whose research addresses the broad theme of the role of changing ideas about manhood, masculinity, and/or male sexuality in electoral and legislative politics. The conference theme is "The Work of Freedom," and so a loose theme for this panel might be gendered definitions of liberty and the resulting political behavior. The format will be either a traditional paper session or a panel discussion.
This edited volume will offer an opportunity for authors to investigate the ways in which blackness is reimagined in both mainstream and independent comics. Specifically, I propose responding to the following questions: What are the ways in which heroism is redefined by black characters? How are black futures reimagined? What gendered arguments are made through this medium? What are the challenges in presenting to black audiences in this largely white genre? How do the creators depict the continent of Africa and/or communities in the African Diaspora?
The William Brigman TJPC Award. This award is for graduate students who write an article for consideration by The Journal of Popular Culture and who also plan to present a version of their article at the National Popular Culture Association Conference. The award-winning essay will receive automatic publication in the TJPC (identified in the journal as the winner of The William Brigman JPC Award), as well as a $500 travel award.