Welcome to H-Asia, a member of H-Net Humanities & Social Sciences Online. The primary purpose of H-ASIA is to enable historians and other Asia scholars to easily communicate current research and teaching interests; to discuss new articles, books, papers, approaches, methods and tools of analysis; to test new ideas and share comments and tips on teaching. H-Asia is especially committed to discussing region wide, comparative and professional issues important to scholars of Asia.

 

Recent Posts

Author: 
Andrew Campion
Reviewer: 
Sudha Mahalingam

Mahalingam on Campion, 'Geopolitics of Red Oil: Constructing the China Threat through Energy Security'


Andrew Campion. Geopolitics of Red Oil: Constructing the China Threat through Energy Security. Abingdon, Oxon: Routledge Press, 2016. 206 pp. $160.00 (cloth), ISBN 978-1-138-95568-4.

Reviewed by Sudha Mahalingam (Member, Petroleum and Natural Gas Regulatory Board, India Retd.)
Published on H-Asia (March, 2017)
Commissioned by Sumit Guha

China's Oil

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Subscribe to H-Asia: Reviews

Recent Reviews

Author: 
Andrew Campion
Reviewer: 
Sudha Mahalingam

Mahalingam on Campion, 'Geopolitics of Red Oil: Constructing the China Threat through Energy Security'


Andrew Campion. Geopolitics of Red Oil: Constructing the China Threat through Energy Security. Abingdon, Oxon: Routledge Press, 2016. 206 pp. $160.00 (cloth), ISBN 978-1-138-95568-4.

Reviewed by Sudha Mahalingam (Member, Petroleum and Natural Gas Regulatory Board, India Retd.)
Published on H-Asia (March, 2017)
Commissioned by Sumit Guha

China's Oil

Author: 
Doris G. Bargen
Reviewer: 
Keller Kimbrough

Kimbrough on Bargen, 'Mapping Courtship and Kinship in Classical Japan: "The Tale of Genji" and Its Predecessors'


Doris G. Bargen. Mapping Courtship and Kinship in Classical Japan: "The Tale of Genji" and Its Predecessors. Honolulu: University of Hawaii Press, 2015. xix + 372 pp. + 8 unnumbered pp. of plates. $59.00 (cloth), ISBN 978-0-8248-5154-5.

Reviewed by Keller Kimbrough (University of Colorado)
Published on H-Asia (March, 2017)
Commissioned by Douglas Slaymaker

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