This Call for Papers is for a conference on WWI at CSU Bakersfield, on Saturday, Oct. 13, 2018.
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What does it mean to feel--or not feel--with another? Nearly twenty years ago, in books like Boltanski's Distant Suffering, critics turned to studies of sentiment, histories of emotion, and other notions of public feeling to address the Yugoslav wars and 9/11, and linked the rise of anti-sentimental literature with literature focused on unexpected or illicit interests in witnessing suffering.
This workshop examines how the history of science, technology, and medicine are applied to the digital humanities. Since written, visual, and audio content are getting more dominant in the scholarly discourse, what type of digital resources can enrich our understanding of this field of the humanities? While it can be argued that researching for traditional academic settings and for the digital humanities requires different linguistic codes, genres, and resources, it is true that popularization of scholarly contents relies on selections, rhetorical devices, and visualization techniques.
“Audacity” is having a moment in the women’s movement. Festivals, conferences and training sessions have used the term as shorthand for women speaking their truth and owning the power to direct the outcomes of their lives. (The Audacious Women Festival in Scotland and the Audacious Women’s Network in South Africa are two examples.)