Acquired by the National Gallery in 1842, Jan van Eyck's Arnolfini Portrait (1434) with its rich colours, precise detail, and enigmatic symbolism had a profound and lasting impact upon the young Pre-Raphaelite artists who banded together six years later to challenge the art establishent of the day. Fascination with Van Eyck's painting persisted in artistic circles and the public imagination alike, and the Arnolfini Portrait came to achieve almost cult-like status in the ongoing discussions around the art-historical canon.
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Money on the Left
Word, Image, Praxis
Call for Papers German Studies Association 2018 “War and Violence Network”
Forty-Second Annual Conference, Sept. 27-30, 2018 Pittsburgh, PA
Panel Series: “War, the Body, and Communities”
The Master of Art of Holocaust and Genocide Studies (MAHG) Program at Stockton University is excited to announce that the registration period for the Spring 2018 start date of the graduate-level Genocide Prevention Certificate (GPC), developed by Stockton University and the Auschwitz Institute for Peace and Reconciliation (AIPR), is currently open.
Exploring Entangled Histories: Britain and Europe in the Age of the Thirty Years’ War, c.1590-1650
A Spring Folger Institute Conference organized by