Discussions

Your network editor has reposted this from H-Announce. The byline reflects the original authorship.

Dear H-Environment Members,

Please see the letter below for information on the 2019 Jonathan Safran Foer Virtual Classroom Visit, a webinar event where Foer discusses issues in environmental, animal, and food ethics. Many members of this list have taken part with their students or organizations in the past, and it would be great to have even more participation in 2019. Please get in touch with any questions, and thank you for your consideration.

Joey Tuminello

josepht@farmforward.com

The Editors of the Bulletin for Spanish and Portuguese Historical Studies invite submissions for a Special Issue on Iberia in Entangled and Transnational Contexts for our December 2019 publication. We are particularly interested in submissions that examine how these contexts push us to re-periodize and broaden our understanding of Iberian history.  All chronologies, geographies, and themes are welcome. In addition to research articles, we also invite submissions that engage with the theme from pedagogical, historiographical, and methodological perspectives. 

Dear colleagues, dear friends,

This is an additional Call for Papers for the edited collection on Southeast Asian Gothic (eds. Katarzyna Ancuta, Mary J. Ainslie and Andrew Hock Soon Ng) planned for submission to the University of Wales Press.

We are particularly looking for submissions related to Indonesian, Vietnamese and Philippine literature, and Malaysian cinema, as well as Southeast Asian art, visual culture, and popular culture.

Below is the original CFP:

Your network editor has reposted this from H-Announce. The byline reflects the original authorship.

Call for Papers

This German Studies Association seminar aims to bring a twist to existing emotions studies by focusing less on claims about the nature or definition of emotions than on acts and scenes of investigating, practicing, or “doing emotions.” For instance, one thinks of the work of path-breaking historians and scholars who were compelled to craft new methods for exploring emotions in history, the arts, and culture. This would also involve aesthetic or performative situations where—to adapt J.L. Austin’s book on speech act theory—at issue is how to do things with emotions.

Irish Screen Studies Seminar 2019

CALL FOR PAPERS